Rev Donzo
Mad Tone Scientist
Lets try to keep pickup making talk and shared knowledge of all aspects of do-it-yourself-pickup making -- here under one thread-ski -- if all goes well it may be valut worthy?:bowdown: :bowdown: :bowdown: :bowdown: :bowdown:
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HERES A WORTHY ADDITION FROM BILL TURNER
ABOUT Those 25 DB mid boost --that are actualy 12db when in bypass mode and they then can add anoter 12db making it 25db..
also the required boost to mate a single coils volume to a humbucker is only 6db of boost required to match a single to a humbucker.
typically a mid boost doesn`t have a peak frequency. A group of frequencies from about 200 HZ to about 1K HZ are emphasized in the form of what`s called a shelving equalizer, but don`t get the idea that just because the roll off frequency is at 200 HZ that you`re safe from hum.
If you consider that frequencies below 500 HZ are in the hummer range, the boost gain will obviously increase the pickups sensitivity to 60 HZ noise harmonics even if 60 HZ has no gain in the circuit. You are still increasing the gain at 120,240,480 HZ and so on. You are still raising the gain at 60 HZ because the roll off is not a sharp drop, and depending on the circuit design you could easily have 8 to 10 db of gain at 60 HZ with an overall 25 db boost.
25db is way too much gain. Two things, the Clapton mid boost is not 25 db of gain, that is to say that the Clapton mid boost has two stages. The boost control is already elevated at a gain of 12 db in the so called bypass mode, while boosting adds an additional 12 db. Since there is no true bypass or passive mode you are not starting from zero and taking your signal up 25 db, you are starting from 12 db and going up 12 db. This 25db boost thing has found its way into guitar culture without real consideration for what these specs really mean.
When I designed the EMG-SPC, which by the way was a request from Fender when they were attempting to purchase EMG in the early eighties, I took the approach that the gain of the circuit should approximate the output of a PAF style humbucker. The output differences between the single coil and the humbucker were not that far off, raising the gain only 6 db provided what was needed.
I know it is difficult wading through the offerings in the market without having understandable info. It`s a bit like the carnies who invite you to toss the ring around the bottle to win the the 6 foot teddy bear and walking away without the prize. Do you go back and try again ?
Bill Tuner ( barrowed from FDP thread) by RD
---------------------------------------------
HERES A WORTHY ADDITION FROM BILL TURNER
ABOUT Those 25 DB mid boost --that are actualy 12db when in bypass mode and they then can add anoter 12db making it 25db..
also the required boost to mate a single coils volume to a humbucker is only 6db of boost required to match a single to a humbucker.
typically a mid boost doesn`t have a peak frequency. A group of frequencies from about 200 HZ to about 1K HZ are emphasized in the form of what`s called a shelving equalizer, but don`t get the idea that just because the roll off frequency is at 200 HZ that you`re safe from hum.
If you consider that frequencies below 500 HZ are in the hummer range, the boost gain will obviously increase the pickups sensitivity to 60 HZ noise harmonics even if 60 HZ has no gain in the circuit. You are still increasing the gain at 120,240,480 HZ and so on. You are still raising the gain at 60 HZ because the roll off is not a sharp drop, and depending on the circuit design you could easily have 8 to 10 db of gain at 60 HZ with an overall 25 db boost.
25db is way too much gain. Two things, the Clapton mid boost is not 25 db of gain, that is to say that the Clapton mid boost has two stages. The boost control is already elevated at a gain of 12 db in the so called bypass mode, while boosting adds an additional 12 db. Since there is no true bypass or passive mode you are not starting from zero and taking your signal up 25 db, you are starting from 12 db and going up 12 db. This 25db boost thing has found its way into guitar culture without real consideration for what these specs really mean.
When I designed the EMG-SPC, which by the way was a request from Fender when they were attempting to purchase EMG in the early eighties, I took the approach that the gain of the circuit should approximate the output of a PAF style humbucker. The output differences between the single coil and the humbucker were not that far off, raising the gain only 6 db provided what was needed.
I know it is difficult wading through the offerings in the market without having understandable info. It`s a bit like the carnies who invite you to toss the ring around the bottle to win the the 6 foot teddy bear and walking away without the prize. Do you go back and try again ?
Bill Tuner ( barrowed from FDP thread) by RD
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