L
Lewguitar
Guest
Did a session a couple of nights ago. I was asked to overdub some guitar on three songs that a keyboard playing, singer/songwriter had recorded with my old bassplayer. Cools songs! Kind of a bluesy/gospel "Rainy Night In Georgia" sort of thang.
I brought my silverface Princeton Reverb that Bruce modded into a mini Vox/Marshall and in which I had installed a NOS Weber C10NQ for the speaker.
I plugged in my '57 style homebrew Strat with the Duncan Antiquities, the engineer put a SM-57 right in the middle of the speaker and I moved it more towards the edge of the speaker cone when he wasn't looking, cranked that amp all the way up to 3 1/2,
So easy to get a cool tone with this amp and the Antiquities. I was able to get cool sounding r&b chord tones and soulful double-stop slurs right out of the gate.
Then they had me overdub a bunch of solos and for that I switched to the bridge and middle combined tone using my middle Ant Surfer and bridge Ant Texas Hot Custom and got a cool bark and growl for the solos.
I just love the Antiquity Surfer/Surfer/Texas Hot combo Strat pickups...and my "Bruce-toned" Princeton Reverb amp.
So easy to get a great tone.
Only snag I ran into was hum. In this studio I could not use the neck, middle or bridge pickup by itself. I had to use either the neck/middle or bridge/middle humcancelling positions. This guy has a noisy studio with ground loops I think.
Sounded good though. Did my best Steve Cropper imitation for the rhythm tracks and my best T-Bone Walker imitation for the solos. It was fun!