I'm new but have enjoyed the interaction that all of you have for each other for more than a year. I've learned things I didn't know I needed to know.
I mainly play Blues/ Jazz/ Classical with a healthy dose of Classic and Southern Rock to keep it fresh and fun. If I'm not playing acoustic (30%), I'm on my Epi Dot (40-50%); if I can't find my sound, then I uncork the Strat. I'm thinking about a pickup change (obviously) in my semi-hollow but the thing is, I'll likely by upgrading from my Dot to a Gibson ES-137 within the next 18 months.
So my question is this: which combination (or other) could I use in the Dot that may eventually transfer to the ES-137? I was considering Pearly Gates (B) and the Alnico II (N). I'm concerned that the Pearly Gates neck would leave my neck-only play less articulate/ smooth than I need for Jazz. I think the Pearly Gates (B) might be a good, general-purpose pickup for the Blues. I also think the Jazz set may be way too over the top though I'm sure the clarity of the Jazz (N) would be interesting; the Jazz set may limit my Blues sound. I don't even know how to approach the conversation of a bridge pickup in the neck. Seymour's description of the Seth Lovers (I know most everyone loves them in a semi-hollow) really turns me off.
What do you think? Ok, let me have it!
I mainly play Blues/ Jazz/ Classical with a healthy dose of Classic and Southern Rock to keep it fresh and fun. If I'm not playing acoustic (30%), I'm on my Epi Dot (40-50%); if I can't find my sound, then I uncork the Strat. I'm thinking about a pickup change (obviously) in my semi-hollow but the thing is, I'll likely by upgrading from my Dot to a Gibson ES-137 within the next 18 months.
So my question is this: which combination (or other) could I use in the Dot that may eventually transfer to the ES-137? I was considering Pearly Gates (B) and the Alnico II (N). I'm concerned that the Pearly Gates neck would leave my neck-only play less articulate/ smooth than I need for Jazz. I think the Pearly Gates (B) might be a good, general-purpose pickup for the Blues. I also think the Jazz set may be way too over the top though I'm sure the clarity of the Jazz (N) would be interesting; the Jazz set may limit my Blues sound. I don't even know how to approach the conversation of a bridge pickup in the neck. Seymour's description of the Seth Lovers (I know most everyone loves them in a semi-hollow) really turns me off.
What do you think? Ok, let me have it!