Question for those of you who can sing . . .

Saying music taste is subjectibe isn't a valid refutation of how I can usually tell if a musician is sucking and why.
Well, you use the word "usually". How do you usually tell if a musician is "sucking" as you put it (ignoring the fact that using the term "sucking" implies something that is completely subjective)?

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Because music isn't only subjective. Upload a piece you played on bass, cello, viola, and violin then explain how that could be interpreted as good by someone.
 
Another good tip is to record yourself and listen back. It's obvious but singing is incredibly personal - much moreso than playing an instrument IMO - and it's essential to try and listen to yourself objectively. There are anatomical reasons for your voice actually sounding different to you than it does to other people. As a consequence of this, what feels good as you're singing it may not sound good listening back. For me, it's the little bends and inflections that I appreciate about good singers. When I do them I feel cool but they sound crappy - when I don't do them I feel like a robot but my performance sounds much better. I also love singing loud, but my voice doesn't sound great like that - versus a soft breathy singing that feels weak but sounds pretty dang good on the listenback.
 
Because music isn't only subjective. Upload a piece you played on bass, cello, viola, and violin then explain how that could be interpreted as good by someone.
You're dodging my question. Do you sit down and run a spectrum analyzer, oscilloscope, metronome etc. while you're listening to a piece in order to determine whether or not you think that it's good or if it sucks? That's objective.

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You're dodging the question. It's very realistic to use human analysis to determine wether a musician, especially a singer, is doing a good job, and to get people to agree on that. Upload your vocal cover of Spiderwebs and let's see how many people on the forum will agree on how bad it is. Not a single person would think, hey this is good, I'm gonna sit and listen to this. That's objective.
 
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You're dodging the question. It's very realistic to use human analysis to determine wether a musician, especially a singer, is doing a good job, and to get people to agree on that. Upload your vocal cover of Spiderwebs and let's see how many people on the forum will agree on how bad it is. Not a single person would think, hey this is good, I'm gonna sit and listen to this. That's objective.
Jeesuzus. Even the way that you phrase the question is loaded.
Upload my vocal cover of "Spiderwebs". I've never even heard of it. How about "Danny boy"? Or "Four Green Fields".
Or my favorite "Ace of Spades"?
Don't let's forget "Angel of Death".
Or "Fiddler on the Green".
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Another good tip is to record yourself and listen back. It's obvious but singing is incredibly personal - much moreso than playing an instrument IMO - and it's essential to try and listen to yourself objectively. There are anatomical reasons for your voice actually sounding different to you than it does to other people. As a consequence of this, what feels good as you're singing it may not sound good listening back. For me, it's the little bends and inflections that I appreciate about good singers. When I do them I feel cool but they sound crappy - when I don't do them I feel like a robot but my performance sounds much better. I also love singing loud, but my voice doesn't sound great like that - versus a soft breathy singing that feels weak but sounds pretty dang good on the listenback.

Yes, I've definitely found all of this to be true. My mind says "sing louder, it'll sound better" but playback says "no it doesn't!". Agree with all the little vocal inflections and stuff . . . you hear other singers doing them, and then try the same . . . but it comes off weird. Like you're doing a caricature of the song. At least for me.
 
I learned to sing by singing. And trying to imitate certain singers or getting certain sounds from your voice. You learn to get control that way. Also making cartoon voices.

I don’t warm up if I’ve been singing on a regular basis.


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Singer for over a decade here. Belting out your favorite songs does count as a form of practice to a point. The vocal exercises are important to get your voice into optimal shape and more importantly especially for beginners, nail down technique. It's vital if you want to be a singer where you're going to be performing many shows or recording long term. If you're singing incorrectly and putting strain on your vocal chords, even singing clean, over time you will damage your voice. Damaged vocal chords, callouses, nodes (that require surgery to fix and your voice will still never be the same).

If your vocal coach is doing nothing but showing you the boring, annoying exercises, see a better vocal coach who focuses less on exercises and more on letting you sing the songs YOU want to sing and addressing any bad habits and adopting proper technique where necessary. You might need a complete overhaul or just a little fine-tuning. Seeing a great, classically trained vocal coach massively opened my range to where high notes I was straining a bit before, I can reach easily and beyond by learning the proper techniques. Don't be too put off by having to make some embarrassing sounds before you get the hang of it. It took a bit to get used to but it was one of the best decisions I've made for my voice as I have been singing, crooning, belting, growling and screaming (which is also very important to use proper technique or it's a fastrack to a destroyed voice) all in the same performances with no problem at all.

After reading through the comments I should add I had been singing a while before and already had the tone and range to start with, I have no idea if one can be taught to sing if they don't already have good pitch, rhythm and tone. My girlfriend is a singer too, she never had lessons but has so much raw talent with pitch and rhythm (I had no idea she wasn't quantising her keys and didn't even know what it was, she was just that on time.) She learned just by copying her favourite singers and realizing she could do it. I've just given her a few pointers to make sure she isn't doing any damage. Some people are just freaks like her. I have perfect pitch (which means if you play me any note I can tell you what it is, tell you all the notes in a chord and produce any note you ask me without a tone reference) It took me a lot of practicing to be as precise rhythmically as she just is from the womb!

Listening to your clip, you're in a good place to start. You've got a nice timbre, you're obviously not tone deaf and understand pitch. I think you all you have to do is keep singing, keep recording yourself and you'll get more confident and better each time.
 
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How much did you practice this stuff when you were taking it at Berklee?

It was part of Ear Training so depending on your major from Day One to Graduation. Look for some tutorials on YouTube I think you will be blown away at how deep it goes. I have a buddy who is a champ at this stuff. I watched him transcribe a Kenny Barron Trio show in realtime on a napkin. Talk about a guy with sonic ears.
 
Learn to breathe properly for singing it is a huge help in a multitude of ways.

Record yourself as much as possible as has been mentioned, that will help you zero in on your weaknesses.

Doing simple, non-stressing warmups is fairly important if you want to keep singing. I am really lazy about it and blow my voice out occasionally because of it. I am sure some of it is age but my range has definitely gotten tighter.

You did a nice job on the Death Cab tune
 
Learn to breathe properly for singing it is a huge help in a multitude of ways.

Record yourself as much as possible as has been mentioned, that will help you zero in on your weaknesses.

Doing simple, non-stressing warmups is fairly important if you want to keep singing. I am really lazy about it and blow my voice out occasionally because of it. I am sure some of it is age but my range has definitely gotten tighter.

You did a nice job on the Death Cab tune

Thanks!

Breathing is possibly the one part of singing that I don't seem to have any problem with . . . but I spent a lot of time learning to pull breath into the bottom of my stomach and tightening stomach muscles doing various martial arts over the years. Some of that seems to have translated at least!
 
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