JammerMatt
New member
In building speed, I've notice that it's easier to do rapid fire string changes during descending passages as opposed to ascending passages.
For example, if I do a 3-note per string thing w/alternate picking, I go much faster if I start on the high E string (lowest to the ground) and descend towards the low E-string (closer to my head - that is.. descending in pitch), than if I go in the reverse direction. It's several times faster as a matter of fact. When ascending (in pitch) it just feels so cumbersome.
Is this common? How do you get past it? What mechanically is going on?
Tks
-Matt
For example, if I do a 3-note per string thing w/alternate picking, I go much faster if I start on the high E string (lowest to the ground) and descend towards the low E-string (closer to my head - that is.. descending in pitch), than if I go in the reverse direction. It's several times faster as a matter of fact. When ascending (in pitch) it just feels so cumbersome.
Is this common? How do you get past it? What mechanically is going on?
Tks
-Matt