REVIEW : Fender Blues Deluxe Reissue

phil_104

Cheesesteakologist
Hey guys. Sold my peavey windsor halfstack that was 2 much for me, and got one of these babies. So I figured after 10 days of playing it about 4 hours a day, with every possible set of pickups, and a bunch of different styles, I might as well give a quick review, caus I know there was a thread about it earlier.

Price paid :640$ (Can) - They go for 650 of MF, but are apparently 930 list price.

Features : 9/10
- For most people, this amp is loaded with just the right ammount of features. It has everything you need, but not to much useless stuff.
- First of all, its a 2-channel, 40w, all tube, single 12 amp. The speaker is an eminence, and I think it fits in well with the amp. A vintage style celestion would perhaps make it even better.
- The 40w its nice, since you can use it for practice and small shows.
- The amp has a nice deep reverb, that work wonders and is rich and fun to play with.
- The clean channel is exelent, but the driven channel is not what most people think of when they think dirty. It's more of an boost than anything. It's perfect if you are doing the blues, but if you want to get into heavier stuff, you will need a good distortion or overdrive. This is why the features lose 1 point.
- The amp takes pedal VERY well, so anything you feed into it will sound nice.
- The amp is finished in tweed, wich looks really good IMO. The constructions and finishing seems good, and it has a nice tube guard at the back, wich is a nice upgrade from the peavey classic series that don't have them.
- Another nice thing that these have over the peavey classics, that made the difference for me, was the fact that these have a standby switch. Very important to me.

Sound : 9/10
It's always hard to put a sound in words, but I'll do my best. The first impression I had of this amp is dynamic. When plugged in, this amp has more presence and projection than my halfstack had. It feels very, very warm, and give that tone that would you expect from a vintage reissue amp. The cleans are typical fender, brilliant. The fun thing about this amp is when used with effects or reverb, the amp retains the warm properties of the tubes, while being very transparent to the sound of the effects. This is great if you have good effects, but bad effects will sound terrible through it. When it comes to style, this amp is obviously a blues amp, but does great when it comes to jazz and rock. If you compare it to the peavey classics ( wich was my other option), it is somewhat warmer, and the clean channel is more dynamic. If you want true tube distortiont though, this is not for you. Overall I am very happy with the sound, and once more, the only point loss comes with the dirty channel, but like I said, that is not problematic if you have good effects.

Overall : 9/10
If you want an amp to get you those nice blues/rock/jazz tones, and already have a good collection of pedals, then this amp would probably be on your list of things to concider. It is a little more expensive than the peaveys, but the fact that the fender has a standby, better speaker imo ( the eminence!), and the slightly warmer true tube tone. I love this amp, and I feel it will be with me for a while, because in the price class, it is the best I have tried, for what it does, and it is versatile enough to be my main amp.

So I hope that I might have answered a few questions, even though my review skills are not that good. Here is a picture of mine.
 
Re: REVIEW : Fender Blues Deluxe Reissue

Great review. I own one of these, and it's a perfect amp for a "pedal" player.

If I could, I'd rip the knobs off of the Overdrive channel - I never even use it. I consider this amp a one channel amp kinda. Just one, awesome, big, full clean channel that sounds alot more expensive than it costs, and takes ANY pedal you can throw at it.

Make sure you put a GOOD preamp tube in V1, and heck, replace the speaker, and you got a KILLER killer amp for about $700.
 
Re: REVIEW : Fender Blues Deluxe Reissue

I had one of the mid 90s models. Great clean channel, and I agree that it takes pedals well. The one useful thing I found w/the dirt channel was to use it as a subtle boost. Effective for some bluesy stuff.

I traded it away in a deal that brought me a Peavey Classic 50, oddly enough, because I liked the Brit crunch that I could get out of the Peavey. The Fender clean, however, was much better. At the time, the Peaveys seemed to be made better than now, it did have a standby, stuff like that. My more recent American made Classic 30 has a lot of corner cutting in terms of things like standby switches, spkr jacks, and such.

That's a great Fender! I'd be curious to see what types of spkrs people put in.

edit: That pic is giving me GAS!
 
Re: REVIEW : Fender Blues Deluxe Reissue

I had one of the mid 90s models. Great clean channel, and I agree that it takes pedals well. The one useful thing I found w/the dirt channel was to use it as a subtle boost. Effective for some bluesy stuff.

I traded it away in a deal that brought me a Peavey Classic 50, oddly enough, because I liked the Brit crunch that I could get out of the Peavey. The Fender clean, however, was much better. At the time, the Peaveys seemed to be made better than now, it did have a standby, stuff like that. My more recent American made Classic 30 has a lot of corner cutting in terms of things like standby switches, spkr jacks, and such.

That's a great Fender! I'd be curious to see what types of spkrs people put in.

edit: That pic is giving me GAS!

I agree that the old peavey's had a better overall feel to them. The only ones I could find with the standby were not in good shape.

Btw, I know, the tweed cover on the amp is awsome. I would be lying if i told you that the tweed did not influence my buy.
 
Re: REVIEW : Fender Blues Deluxe Reissue

one of the guys i play with uses the blues deluxe. we put a texas heat speaker and good tubes in it and it sounds much better
 
Re: REVIEW : Fender Blues Deluxe Reissue

I guess my US non-RI Blues Deluxe was just a dud one then...woeful drive channel, nice cleans but it did not take OD pedals well. My old tubescreamer sounded fairly tame and lifeless through it - when I tried it through my Hayden it was like a different pedal...100% better sound.

Don't regret selling that amp, though the cleans were good.
 
Re: REVIEW : Fender Blues Deluxe Reissue

one of the guys i play with uses the blues deluxe. we put a texas heat speaker and good tubes in it and it sounds much better

That's the ticket to get the most out of most amps. Upgrade the speaker (I like Celestion 12's and Weber 10's) and spend some money on some great tubes. Maybe even NOS tubes.
 
Re: REVIEW : Fender Blues Deluxe Reissue

I guess my US non-RI Blues Deluxe was just a dud one then...woeful drive channel, nice cleans but it did not take OD pedals well. My old tubescreamer sounded fairly tame and lifeless through it - when I tried it through my Hayden it was like a different pedal...100% better sound.

Don't regret selling that amp, though the cleans were good.

Having owned a HotRod Deluxe I can tell you that it IS a pedal amp.

The overdrive is almost entirely worthless. The only time I got anything useful out of it was dialing it in clean and muddying it with pedals or EQing it for a minor volume boost for solos.

The limitations of the amp became very apparent to me when I got my Blues Junior and did the Billm mods as well as got my hands on a Trace Elliot Velocette. Both of those amps were meant to be cranked when played, but were engineered to not be so loud that they empty venues.

The Deluxe got unloaded because it just lacked the character of a good solid single-channel amp intended to be pushed to break up.

I know Fender sells alot of those amps and I know alot of folks do really well with them. I wish them all the best of luck in the world with them.
 
Re: REVIEW : Fender Blues Deluxe Reissue

The Deluxe got unloaded because it just lacked the character of a good solid single-channel amp intended to be pushed to break up.

.

Same reason for me, ultimately...I don't think I will ever go back to an amp bigger than 18w. I currently have a 15w and a 7w and both are loud enough for pub gigs.
 
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