SD posted this Mayones on their Facebook page.

Re: SD posted this Mayones on their Facebook page.

Got any pics from another angle or with the light source off to one side?
 
Re: SD posted this Mayones on their Facebook page.

Normally the black would be in the deeper parts of the grain. This can be achieved by staining the whole body black, sanding it down so that it only remains in the grain, then staining again with the "main" color.

In this case, the black is on the raised areas, and the blue is in the deep grain. This is much more difficult. You can't use the technique above, because the black dye will just obscure all the blue dye.

I can think of two ways to do this:

1. Do the blue stain, then seal it with a couple coats of urethane or similar clear finish. Next, sand gently to remove the blue and the clear sealing coat from the raised areas only. Apply the black stain - it will only stick to the areas where you sanded off the clear. NOTE: for this to work properly, you need to use water-based stain and oil-based clear, or vice versa.

2. Do the blue stain. VERY CAREFULLY apply the black stain only to the raised areas.

Of the two, I would probably do the first one - it's more time consuming but also far less prone to mistakes.
 
Re: SD posted this Mayones on their Facebook page.

That was the only pic I could find, but I'd love to figure out how to do this.
 
Re: SD posted this Mayones on their Facebook page.

I like that, very unique. To me it has a textured surface, like drift wood at the ocean. My guess is... 1) Sand blast or bead blast the surface. This will ablate the softer portions of the wood away faster than the harder portions, producing the textured surface. 2) Stain the wood the base color. 3) Seal and clear coat. This will protect the first/base color and make it easier to clean off the second color. 4) Sand the upper surface to flatten it and remove the sealer, clear coat, and first color. 5) Stain again with the second color. 6) Clean out all of the second color from the lower portions, or as much as possible. 7) Seal and clear coat.
It might be possible to apply the second color using a roller like applying ink to a stamp for printing. If I were to do it this way I would do several very lite coats to prevent any color from squishing down into where I didn't want it.
 
Re: SD posted this Mayones on their Facebook page.

Looking at it again...if you didn't care about seeing the actual wood through the finish (which I don't think you can with this guitar) you could use opaque paint. It also looks like there is some silver down in the deeper grain, possibly though an application of a silvery powder between steps #3 and #4 with a clear coat over it to protect and seal it in place. I like that, they book matched the top. Very tasty!
 
Re: SD posted this Mayones on their Facebook page.

I love it when a guitar builder finds a way to do something so metal and stay so classy.
 
Re: SD posted this Mayones on their Facebook page.

Looks good; similar effect to the Voodoo series Gibson did years ago, but those were red and black.
 
Re: SD posted this Mayones on their Facebook page.

^^ I thought they looked ok, apart from the cheesy skull inlay on the 5th fret; but agree that the Mayones is nicer.
 
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