Re: Seymour Duncan factory tour pics
thanks for the compliments!
I know there were some other factory pics that Evan posted once, but I searched and didn't find them .
MattPete said:
I think a lot of people assume that SD has these great big machines where you load in a spool of wire, a rack of bobbins, a rack of magnets, flip a switch, and it automatically starts cranking out pickups.
Frankly, I'm amazed at how much of the assembly seems to be done by hand.
I wish I'd taken a shot of the auto winding machines ... they're only about 2' x 2'. I thought I had a shot of the Leesona, but couldn't find it ... I got my camera about 3 days earlier :sad:
there should be pics somewhere on the regular site, though
My feeling is that the use of automation is more a matter of consistency than speed. That said, I think the strat Antiquities have that little extra sublte complexity that some players on the ultimate tone search will have to have. I've also heard a great local player (my amp tech) just
crank on regular ol' SSL's
but, the production is very "hands on" for sure
Lewguitar said:
Nice! So Curly: what's one or two things that surprised you about the Duncan factory? Something you'd pictured one way but maybe was alot differant than you'd imagined? Did you meet Seymour? Nice job! Lew
Lew,
good question...
I probably thought the factory was a little larger ... the main production floor seems like it's about 40' x 60' - not really huge, not crowded, but laid out pretty efficiently. Kellie, Cathy Duncan, Evan, Billy in sales, Scott Miller, and other staff members are in a nice loft space above, overlooking the floor
the factory is in a semi-industrial area, although semi-industrial in that area means an almost rural setting with green fields, rows of eucalyptus, and orchards outside, with a view of the Channel Islands to the south and the hills to the north a short drive away.
we met Seymour at the beginning of the tour - he was pretty busy, but generous with his time, especially considering he was getting ready to leave for a trip to Cleveland
about 10 years ago, I had a dealer license, and went to quite a few vintage guitar shows, and had a booth at a couple of shows. One of my friends and a partner at the time was a great slide player from Florida, Pete Quigley, who was living out here in San Diego at the time. Pete was good friends with Cesar Diaz, was into the vintage thing early, and was the one who really was responsible for getting me to use Seymour's pickups, since he had Seymour wind quite a few. Seymour was always at the vintage shows back then, and a bunch of us went out to dinner at one of the Pomona shows with him.
when I saw Seymour at the factory, he recognized me, and I mentioned that I used to see him all the time, and was friends with Pete, who both he and MJ know
I always remember Seymour as being surrounded by a line of folks at the shows, and helping them one at a time. He's always been very gracious with his time and his mission in life, and is responsible for a whole niche industry really.
When I thought about it later, I was impressed with how harmonious the atmosphere at the factory is. These are all folks who enjoy their work, and I for one appreciate that, and am sure that accounts for some happy pickups. It reminds me of an old dairy ad - "our milk comes from contented cows"
-----------
If Scott reads this, I hope he'll tell the story that MJ told him about ZZ Top's local concert.
Peace