Seymour Duncan Twin Tube ...

drpietrzak

New member
Hello!

It arrived this afternoon. I tried it for about 2 hours after I came back from the hosptial today. I ran it into my Blues Jr and used a stock SD-1 as a boost in front of it for the heck of it. I wanted to see how it worked as this is a common portable rig for me and I wanted to see if I could get into the game with my favorite rig (El Diablo 60 C).

It operates like an additional gain stage in your preamp. Nice and smooth gain range running from no gain to smooth Mesa levels of gain (but way smoother that most of the rectifier versions more Mark IIIc smooth). I REALLY liked it as a 2 tube, 2 channel OD-Distortion pedal. It is not as ratty as the Silver Dragon so I will still use the Dragon for the Tweedy gain sound when I need that ratty vibe. But, for everything else in this area this will be the main go to pedal for a long while I suspect.

It takes being hit with a boost just like a preamp. So it gets louder only until the tube's gain is maxed then it just picks up more gain and no volume. If ou hit the lead channel with a boost it will give you a violin like sustain that last for a long, long time.

It reacted very transparently to my amps eq settings and guitars settings. It really allowed the global EQ to seve as a tweak to the amp eq and shape the gain stages. Roll the guitar volume back and it cleans up, just like a standard tube amp. It makes me think it would work well into my ADA Microcab for recording direct as well. I have not tried it though.

I used it for a blues just break tone, classic rock tone, gain tone and violin like Santana-ish tone. It did them all better than any single pedal I have, or have ever had or heard. Better than the Tonebones, Jack Hammer, Modded DS-1's and all other high/low end stuff I have or have used over the years. An excellent real all tube OD-Distortion pedal for me. A great one.

It does not do the ratty tweed-marshall voice as nicely as other pedals I have though, but the real ratty tone is had by a lot of pedals these days. This pedal has a sweet and nice gain tone. It is a tone that I have not been able to get from any other pedal I have tried at all. This tone and it has 2 channls as well! While I did not need a second eq on the lead channel I would have liked one here.

This pedal is easily worth every penny. It would be the first pedal I would recommend to anyone in the OD-distortion area. While, like no pedal can, it can't do everything, it does nearly every thing. Further, it does nearly everything better than any of the other stuff I have tried. A++

Dale
 
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Re: Seymour Duncan Twin Tube ...

Wow, more GAS for me! So it worked pretty well with the Blues Junior? I've been thinking about a good dist. pedal for mine. Does it have a boost function besides rhythm/lead?
 
Re: Seymour Duncan Twin Tube ...

There is not a boost for either channel. You can set one up similarly to the other and use it as the boost, or hit it with any screamer pedal with no distortion and just level maxed.
 
Re: Seymour Duncan Twin Tube ...

Cool review. It might just make me postpone my future Tele purchase so I can get this.
 
Re: Seymour Duncan Twin Tube ...

Great review! been having my Gasing eyes on one of those ever since they came out.You just pushed me closer to it.
 
Re: Seymour Duncan Twin Tube ...

drpietrzak said:
It is not as ratty as the Silver Dragon so I will still use it for the Tweedy gain sound when I need that vibe. But, for everything else this will be the main go to pedal for a long while I suspect....

It does not do the ratty tweed-marshall voice as nicely as other pedals I have though, but the reall ratty tone is had by a lot of pedals these days. This pedal has a sweet and nice gain tone....Easily worth every penny.
That's exactly what I found. It's somewhat of a new flavor of overdrive, while still being familiar. It's a little wooly, and a little voxy. When the gain is pushed, the notes really take off like an airplane. You know that kind of overdrive that seems to pull more sustain out of your guitar than what's naturally there? Like you pluck the note and then the pedal steps on the gas. So you're not fighting the sound to stay overdriven like you are with tweedies. But all without being an overly saturated buzzsaw distortion. It is NOT that. That's the kind of compression/sustain I don't like-the kind that just squares everything off.

What I found is that no matter what you have on your pedalboard or in your rig, there's room for this on there, because I can pretty much guess you aren't getting this tone. As a standalone unit in front of a clean tube amp, it is a great foundation, but still might need one of those "tweed in a box" pedals, and a TS/OD in front of it to make it a completely versatile rig. If you have the tweed sound in your amp, this is a great box to add sounds you aren't getting.
 
Re: Seymour Duncan Twin Tube ...

Nice review. I liked it so much I had Scott_F design the Celtic Evan-Rude around it.
 
Re: Seymour Duncan Twin Tube ...

Scott_F is one of the long-time members of this forum. He's also an admin. He has an amplifier company called Celtic amps. There are a few SD UGF members besides myself who own his creations. They're top notch.

The Evan-Rude is the name of the amp that was designed around the SFX-03.
 
Re: Seymour Duncan Twin Tube ...

Evan Skopp said:
Nice review. I liked it so much I had Scott_F design the Celtic Evan-Rude around it.

So Evan, when will we hear some clips from you using the Evan-Rude and SD Twin Tube?
 
Re: Seymour Duncan Twin Tube ...

I'm selling mine, so if anyone wants one for a little cheaper, let me know. I like it, but it's not what I'm after tone wise. All who have played through it love it, but it's just not the sound in my head. I'll try some new combinations as I think of different ways to try it out, but for now it's on the auction block.
 
Re: Seymour Duncan Twin Tube ...

i have a twin tube that i run in front of a tweed blues junior and i love it. i just started getting into playing electric guitar about a year ago so this was my first purchase of an od pedal and i can get all kinds of sounds out of it. from blues to rock its all there. im glad to see there are some other people who enjoy it as much as i do.
 
Re: Seymour Duncan Twin Tube ...

I'm interested in it, but I'm not playing through an amp at this time.
 
Re: Seymour Duncan Twin Tube ...

Actually, I could play through an amp. But that would mean lugging it around, and working on the mic'ing, trying to get a decent tone at low stage volumes, etc.

I plug into a Pod xt Live, out to a DI box, and the sound tech loves me.

And I am NOT unhappy with my tone. So we're both happy, and my back thanks me, as well as my wallet.;)
 
Re: Seymour Duncan Twin Tube ...

They say the Pods don't work with OD pedals very well, because the Pod's input doesn't respond like a tube amp's front end. Its as if, instead of conditioning and overdriving the signal before it hits real tubes, OD pedals just "confuse" the digital parameters instead. It's not natural. If the Pod's preamp tones are going to sound right, it has to "see" a raw guitar signal.

But...I would think that if you used a flat, "non-preamped" type of clean sound, you could run a "tube preamp" style OD pedal like the Twin Tube in front of it, so long as you weren't trying to get the cascading sound, like a TS9 or DS-1 into a "tube drive" model. But I wouldn't use the Twin Tube that way anyway. I would use it as a standalone tone generator, and with the TS/OD's in front of the Twin Tube.

So actually, adding the Twin Tube to a Pod rig (set clean) may restore your ability to use other pedals. It might be the ultimate Pod enhancement, by being sort of a buffer that can accept other pedals in front of it. I've often thought about what a Pod would do with a good tube preamp in front of it. In other words, could it "get out of the way" and just be a clean eq/fx box if necessary? Or does it have to inject it's fake tone modelling into everything? I'm thinking there has to be an ultra clean input or a "model" that would take the real tube preamp sound and simply pass it on to the EQ and effects.
 
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