SG poor sustain

Re: SG poor sustain

compared to a LP, yes, its very thin and tinny

YMMV but mine aren't thin and tinny at all. The words 'thin' and 'tinny' have not once crossed my mind playing it. I've used my SG in a stereo image with my Les Paul on recordings. They make a great match tone-wise and both have a thick sound.
 
Last edited:
Re: SG poor sustain

Won't thick strings, like 11's, reduce sustain a little, as they have to be tighter to get up to pitch (which is also why they're harder to bend). I'd think a lighter gauge would vibrate and sustain longer.

You would think this is the case, but higher tension strings *seem* to retain deposited string energy better - whereas looser strings *again, seem* to dissapate energy by virtue of their wider travel. I'm no physicist and that may be completely off base, but it is at least backed by my personal anecdotal evidence haha.

All the relevant points have been brought up:
- Is everything fastened down properly
- are the strings hitting anything
- are the pickups exerting undue magnetic influence on the strings

My experience has been that you need to play a guitar extensively before everything settles in - I've guesstimated 100 hours of play time before but that's only based on my experience with warmoth/usacg parts bolt-neck guitars. If you aren't gigging the guitar it translates to 30 min- 1hr a day for about 3-4 months. Other than that I've seen improvements in sustain from:
- Locking tuners (more mass)
- Locking Bridge assemblies
- Thicker Strings
- Thicker Pick
- More Loud
 
Re: SG poor sustain

Hi, if you have a "Nashville" bridge-this might help.
Look up ABR vs. Nashville bridge, many here swear by them.
My SG '61 R.I. seemed on the thin side at first. So I looked at the bridge. It came with that crappy "sleeve" style flywheel, so I disasemmbled it and the sleeve itself (the part that is inside the body) was covered in paint and I could make it wiggle with my hand. So I took it out, cleaned the paint off the metal, crushed some maple pieces and put them in the now open wood hole.
Then I needed a slight tap with a hammer to get the sleeves back in (this good for vibration transfer) thus making it tighter. Mine came w/a Nashville type bridge instead of an "ABR" which is original stock and much denser all around. I then had to file the flyweel top post a little so it would accept my ABR bridge. The ABR is not as deep so I only had 1 string that was hitting. Most folks would not do this, but I just simply got my small round rat tail file and gently made a groove so the string hit the saddle only.
My stopbar is screwed down hard! It also had paint covering where the bar screws(the big ones)screw into the big stop bar sleeves, so I cleaned those also. Now I have ultimate contact, I use a much lighter string, a D'Adarrio 9.5, 11.5, 16' 24, 36, 46. They work well for me through a 15 watt Blues Jr. and on stage a 40 watt Fender Hot Rod Deluxe. Kicks rear end either way. I use a Seth Lover also, but on MJ's advice (again, most folks don't care for this) I put an A5 magnet in it so it is louder, tighter on the low end, but does add extra high end. My choice. But the original A2 Seth sustained great after I fixed the bridge set up.
Good luck,
Steve Buffington EDIT: What everyone else said also!
 
Re: SG poor sustain

IMHO the SG is a very lightweight thin guitar with a bright near "tinny" tone.
They can be brash and sharp at times, its not the thunder of sustain that the LP or Explorer are.

SG's don't have the low end of LP's, but they're more middy than tinny, being mahogany and rosewood. The guitars that are inherently tinny are SSS Strats (bright woods, skinny single coils).
 
Re: SG poor sustain

YMMV but mine aren't thin and tinny at all. The words 'thin' and 'tinny' have not once crossed my mind playing it. I've used my SG in a stereo image with my Les Paul on recordings. They make a great match tone-wise and both have a thick sound.


+1
 
Re: SG poor sustain

SG's have a tone that is rich in the true mids. LP's due to the weight have an extra thump in the low mids. Both are quite similar tonally, but the SG can sound more barky. I too would never ever associate thin and tinny with an SG. That would tend to be an issue with the electronics or pickup selection perhaps.
 
Re: SG poor sustain

SG's have a tone that is rich in the true mids. LP's due to the weight have an extra thump in the low mids. Both are quite similar tonally, but the SG can sound more barky. I too would never ever associate thin and tinny with an SG. That would tend to be an issue with the electronics or pickup selection perhaps.


+1. Nicely put
 
Re: SG poor sustain

My SG doesn't sustain worth a poop. Has a new bone nut. Tech just installed Gotoh bridge with properly cut saddles. Using Seth Lover pickups. Any thoughts?

Get one of these :

Sustain for hours :D


freeze_mods_01.jpg
 
Re: SG poor sustain

My SG doesn't sustain worth a poop. Has a new bone nut. Tech just installed Gotoh bridge with properly cut saddles. Using Seth Lover pickups. Any thoughts?

SG what? That's a wide spectrum. Is that metric TOM or what kind of Gotoh?
 
Re: SG poor sustain

SG what? That's a wide spectrum. Is that metric TOM or what kind of Gotoh?

2005 SG Special. I'm not completely sure whether it is a Gotoh Nashville style bridge or the Gotoh Tune-O-Matic with standard posts. I'll have to check the part number.
 
Re: SG poor sustain

2005 SG Special. I'm not completely sure whether it is a Gotoh Nashville style bridge or the Gotoh Tune-O-Matic with standard posts. I'll have to check the part number.

"Standard posts"?

It should be either a (non-metric) nashville or an ABR-1. Since it isn't metric you could always mount a ABR-1 with conversion posts, but I think that isn't your problem here as changing the bridge randomly didn't change anything?

Did the bridge change change anything?
 
Re: SG poor sustain

How low is your action and what gauge strings do you use? I noticed on a SG Classic I had (wish I still did) that it sustained a lot better with 10-46 strings on it and the action can't be too low (that can apply to any guitar). If it's too low, the string vibrations can get choked out. Is the tailpiece all the way down? That can affect it some as well if it is not.

Hear, hear. While for years I typically *lowered* the action on my Fenders (until I found the play I liked - my Fenders are still fairly jacked up), with my 2014 Gibson Les Paul Melody Maker, I find myself gradually raising my action.

Different geometry, scale length, neck angle, etc.


Sent from my iPhone using Tapatalk
 
Re: SG poor sustain

Measured the pickup height: Bridge is 4/64 on both bass and treble side. Neck is 4/64 on bass side 3/64 on treble side. I'll lower the neck pickup to see if that helps.

Not totally sure about the "standard posts" lingo, I simply typed what Stew Mac has listed on their web site (that's where I bought the bridge). Not much change in sustain, still pretty short. Time to tinker more.
 
Re: SG poor sustain

Measured the pickup height: Bridge is 4/64 on both bass and treble side. Neck is 4/64 on bass side 3/64 on treble side. I'll lower the neck pickup to see if that helps.

Not totally sure about the "standard posts" lingo, I simply typed what Stew Mac has listed on their web site (that's where I bought the bridge). Not much change in sustain, still pretty short. Time to tinker more.

Or sell it.... Like Vashuu said some are just dogs ....it happens.
 
Back
Top