"Sleeper" guitar -

hydro

Prayin' to Cheeses
Do you have a guitar that you bought, borrowed, etc. that just vastly exceeded your expectations? Whether because it was a bargain for its capabilities, or was better build quality than you thought, or just sounded great, or you bonded with it, or you just found yourself using it way more than you ever expected?

For me it was my doubleneck Epiphone. Bought cheap and largely on a lark, I have used it heavily and found that it's way more practical than I ever expected. It's a good playing axe, has held up well, and it definitely stands out on stage.

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I have a couple other overachievers in my collection but this one really surprised me.

I expect to see a lot of cool Ibanez, maybe some Deans and Epiphones, but maybe Electras, Hondos... bring 'em!
 
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I bought a Highway 1 Tele because I needed a Tele for a gig. I thought I would sell it soon after. I hated it when I bought it, was disappointed with the sound and the look, but it played comfortably and stay in tune for long hours of abuse. I've since put an SD Broadcaster and Antiquity '55 Tele Neck in it and it's become my #1 gigging guitar, and possibly the most versatile guitar I have. It's the one I use when I'm playing covers or sitting in with a band and I'm not sure what all will get called in the set list.
 
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Several years ago I got into a really bad car accident. I ended up getting a decent insurance pay out because of it. After replacing my car and all that, I had $250 left over. So being as I'm not very good at saving money, I decided to spend the remainder of the money on some cheap gear...like ya do.

I was also really really into glam at the time, and saw a cheap crappy Silver Sparkle ES-355 clone on Rondomusic.com for $199.99 and decided to buy that. I figured it'd be terrible, but also figured at the very least I'd have something groovy looking to hang on the wall and look at. So I bought it, and when it arrived it was a mess. The fret ends were sticking up past the binding so bad that when I took it out of the box, the high e string was literally stuck under the 3rd fret. haha. But I wasn't expecting much anyways, so I kept it, fixed the frets, replaced the bridge, tail piece, and pickups then began using it as my "Guitar for songs when I need controllable feedback" live. And it worked wonderfully for that, after the changes I made, it sounded good, and played great...But I've always sort of thought of it as just that one piece of **** guitar that I happen to own simply because it looks kool.

So now I've had this thing for about eight years...and It's the only guitar I've played at literally every show I've played in that time. It's been used on damn near everything I've recorded in the past eight years. And it's actually the only guitar I've owned for this long...anything else, things far better, and far worse...have all ended up getting sold or traded for "something better" or simply different....But this cheap, garbage guitar I paid $200 for, has stuck around. Traveled everywhere I've traveled. Been on more recordings than I've personally played on (since I've loaned it to people to use at different times...cause it is just a garbage guitar after all)....etc...

I've thought about selling it numerous times...Even had trades worked out at different points, and always changed my mind at the last minute. Making myself look like a total Flake. At this point I've just accepted that I'm stuck with this thing until I die, haha. Even if it is a piece of **** in every logical way...It's my piece of ****. haha

Oddly enough I don't actually have hardly any pictures of it...So forgive how stupid this picture is, its from some "promotional" pictures some dumb ass I know thought was a good idea...but the ****ing thing even ended up in those...so here it is....The $200 mistake I'm stuck with until I die...haha

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That's my Drummer and I...and that's a USSR military hat he's wearing, not Nazi...
 
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I got a Squier Jazzmaster that I consider a bit of a sleeper.

Jazzmasters originally were Fender's attempt to win the jazz musicians over to solid body land. It didn't take. But it caught on with the surf and instrumental groups of the day. They ended up being in pawn shops later for cheap because they hadn't caught on mainstream outside of that, and the Jazzmaster found it's way into punk and grunge and then on to shoegaze.

They have a great very Fender-y tone that can go from warm and mellow to bright and cutting and they have a distinctive overdrive sound.

The Squier version has vintage-voiced duncan designed pickups, vintage-style tuners, the original spec circuit, and an original style floating bridge and tailpiece. The Squier Jazzmaster is the most vintage-correct jazzmaster til you hit the AVRI line for $2500. The Squier gets you the tone and looks for $300. Definitely a bargain for a distinctive Fender tone that's often overlooked, and I think it puts an interesting flavor into anything you would normally use a vintage style strat or tele for.
 
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Ibanez GR-520 Ghostriders. MIK, and really pretty rare, from 1994-95. I have two, and they would be some of the last ones to leave my collection if I had to liquidate. These were a terrific find.

Bill
 
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My telecaster build... 99$ for the kit. It sees a bit of playing everyday. The stock pick-ups sound good enough for me to always postpone their replacement. It does help that I didn't finish the neck and polished it, it plays smoother than any other guitar I own.
 
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Squier CV series. All of them. I had a pine Tele that was a beast. I only sold it because the neck was super thin and had me literally in tears (CTS).

I have had a few others over the years. a Epiphone LP STD, a Hamer XT Standard, a Ibanez cheapo S series, Dean 79 series ML.
 
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Several years ago I got into a really bad car accident. I ended up getting a decent insurance pay out because of it. After replacing my car and all that, I had $250 left over. So being as I'm not very good at saving money, I decided to spend the remainder of the money on some cheap gear...like ya do.

Ha! This story reminds me of how I financed my current #1 guitar, a '74 SG - I got rear-ended on the freeway, not too serious but the trunk was bashed in. The guy didn't want a ding on his insurance and offered me $800 cash, I took it - then the body shop said, "Oh yeah this is gonna be $2K to get fixed".

So I tied my trunk closed with a rope, and bought the SG (and my '67 Princeton). Car is long gone, still have both pieces of gear 16 years later. My girlfriend (now wife) used to laugh at my hooptie ride with the trunk thumping and bumping but it was seriously one of the best decisions I ever made!
 
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I had two. One was a Squire thinline tele, I never got that one to sound great but I think its because I hadn't learned how to dial and amp in for different tones yet. The other was an Epiphone G400 LE Korina I bought from a friend in high school for $150. He thought it had a bad bridge pickup, but after I swapped the stock for a SD Sh1b I had laying around it turned out to be the toggle switch. I used that guitar for a few years, put a sreamin demon in it, then had to sell it and most of my gear. I always regretted getting rid of that one, I've had a few Gibson SGs and even put the demon in my current one, but none of them have sounded as good as that epi.
 
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My SG Jr kit that I built. Sometimes you just don't know how things will turn out until you do it. It exceeded my expectations in every way and is one of my main players. Just a single P-90, volume and tone. Nice and simple.
 
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My Roadstar. Bought it on a whim for $150 and figured that, if it sucked, I could make it up by selling the hardware etc.

When it arrived and I went over it, damn it if it didn't turn out to be a great guitar, so much so that I felt it deserved a better neck pu than the stock one. Also gave it a new jack, switch, and blocked the trem - now it punishes. Combination of a hot ceramic bridge and low output A5 neck makes it pretty versatile.
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My Gretsch Corvette. I got it as part of a trade, the guy kind of threw it in at the last minute so I was expecting to move it along immediately, but holy moly I loved the way it played and felt. Like, I INSTANTLY bonded with it in a way I hadn't with pretty much any other guitar. Oh yeah, it's a thin-body mahogany set-neck plank, kind of like an SG


I like it so much, I actually paid stupid $ to get T.V. Jones "T-90" pickups for it, it still had one of the stock pups left but I thought the sound didn't match how well it played.

Now I just need to actually finish putting it back together so the love-fest can continue...
 
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I have a 98 or 99 made in Mexico Squier Telecaster that plays like a dream and so unds even better. I bought it brand new out the door at Mars music for $149.
 
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Cheap sleepers:

My G&L Tribute Rampage takes the prize. It was $330 shipped with a nice quality G&L gig bag, and it's 90 percent good as any U.S.A.-made Fender I've ever owned, short of my handful of Custom Shop models. That 10 percent is accounted for only by the somewhat cheap tuners...but it has a locking nut, so who really cares anyhow? It has near-perfect fretwork, absolutely perfect finish work, beautiful craftsmanship and setup, great sounding pickup, a Kahler Hybrid (a perfectly respectable piece of hardware IME), wonderful extra wide nut width (1-3/4") and 14" radius, nice and smooth full-sized Alpha pot (unlike those tiny ones that usually come in Asian imports, and that always crap out on me), beautiful ebony fretboard, and even some figuring on the maple neck! The only thing I might change on it is the lack of a tone pot. I might go ahead and convert to a full-on three-knob G&L PTB system some day, but that's it. That's about a $20 job, bringing the cost of the guitar up to $350. Short of getting something for free, you can't beat that bang for the buck IME.

Another one would be my MIJ Epiphone '61-style SG. The thing was better made than any modern Gibson SG I've ever played, and being an MIJ, it had the open book headstock. The only thing it lacked was quality electronics. I spent $400 on the guitar and shipping, and put about $200 into electronics upgrades ('57 Classics and good pots/caps, jack, switch, knobs, etc). $600 for that guitar was an insane bang for the buck. Last year I sold it to my bandmate for $500, just to pare down my collection a bit. If I didn't have a '68 Standard, I would never have sold the Epi, though. It was every bit as good as the '68...which is kid of why I decided to sell it in the end. I didn't need two practically identical guitars, so I stuck with the antique one that has sentimental value.

$100 for my used Bronco bass in perfect condition was a HUGE bang for the buck. It's one of my favorite basses on the market, and it needs absolutely nothing more than a nice set of strings and a setup IMO. I sold mine last year while paring down, but only because I have a '76 Musicmaster Bass, which is practically the same thing, only "The Real Deal," and with tons of sentimental value.

Expensive, but enormous bang for the buck sleepers:

My G&L prototype Legacy for $1,000 total is perhaps my own personal "deal of a lifetime." The guitar is one of the best all-around axes I've ever played. It has a western sugar pine body and neck. It was made as a prototype for a possible Brad Whitford signature model, but the model never got put into production. So not only is it a completely and truly AWESOME musical tool, but it's literally one of a kind.

My G&L Legacy Rustic "Blackie" color scheme was expensive at $1,440, but even so, it's one of the best bangs for the buck I've ever got. It's easily at Fender Custom Shop level. Along with the prototype above, the Rustic is also among the finest guitars I've ever owned, and again, pretty darned rare. Rustics are rare guitars in general. They are produced in very low numbers. I've only ever seen about a dozen Legacy Rusics for sale. But it's even more rare to see a Legacy Rustic that isn't Blonde or Lake Placid Blue. I've only seen three that aren't one of those two colors (two black, including mine, and one 2TSB).

My Custom Shop Esquire was expensive, but god damn if it isn't the best guitar I've ever owned, in just about every way. And through some bizarre series of flukes, coupled with my nearly lifelong relationship with a certain local guitar shop, I got it for dealer invoice plus tax and shipping back in 2003. I think it ended up being something like $1,600 +/- out the door. That sounds painful, but I consider it a real bang for the buck, considering how flat out great it is.
 
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Hands down my Squier Vintage Modified Telecaster, it's the SSH model with the mini hum in the neck. I bought it for $95 at a pawn shop and it's far exceeded it's price tag in my book. I bought it cause it was cheap and I wanted a Tele and it's ended up being my main stage guitar. It can do pretty much anything I need it to. The neck is great, the pickups are very nice (the bridge pickup is fantastic), and it stays in tune well. I'm thinking about swapping the Duncan Designed mini hum in the neck for an HM3, and I'd like to upgrade the pots, caps and switch, and maybe add a mini toggle or push/pull for 7 way switching.

Most people can't believe it's a Squier when I tell them. I had one guy come up to me after a show at a park a couple of years ago raving about my tone and asking me what model my tele was and what the pickups were. When I told him it was a stock Squier, he looked like he wanted to toss me off the nearby bridge.
 
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