Splawn Amps?

Re: Splawn Amps?

Really? Im really struggling with amp choices since I cant play many. I want something to replace my PV ultra plus . Ive always love the JCM 800 but wished it had a Master Volume. .
I like that Mesas Dirt and like the PV JSX and 6505 distortion..

The Splawns and Mesas/Peavy's are different beasts. Different kind of gain structure. Some who like one type may not like the other. If you're looking for a Mesa or PV sound look elsewhere IMO. If you're looking for a Marshall tone, definitely worth a look.
 
Re: Splawn Amps?

Yes. The Master volume is touchy below 9:00, meaning that there's a fine line betweeen quiet and loud. There are tricks I use to get great low volume sound.

BTW, not a huge volume diff between 25 and 50 watts IMO, but enough to make a difference.

So can it be used as a practice amp?
 
Re: Splawn Amps?

Well, that is subjective I suppose. I practice with mine every day in my bedroom. Will it sound like a dimed out Marshall when you're playing at bedroom volume? Well, no. But I think it sounds good at bedroom volume TO ME. Definitely sounds different at bedroom volume than at full volume. The only basis for comparison I have is my Line 6 Flextone. IMO, with a little tweaking around the Comp sounds at least as good as the Flex at bedroom volume (Marshall models). At volume there's no comparison tho. I've not played any other high gain tube amps at bedroom volume, so I cannot comment on any others. I try to practice as much as possible with the Comp. The reason being that it reacts differently than my modeler. They really do feel like two completely different beasts. I think to sound good on the Comp, you need to practice on the Comp. It should be understood though that these suckers are meant to be played loud - that is where they shine.

Keeping in mind though, all things subjective. I should state I'm not a pro player, I don't play out, but jam with buddies about once a week. That's probably important so you know my perspective. If you are looking for a pure practice amp, then you can probably do better with a modeler or something much cheaper and with more goodies.

When I bought mine, I wanted an amp that I could play at home, but one that could also kick serious booty when the opportunity arose. I wanted an amp that required little tweaking - I wanted simple, and I wanted something that would never need replacing when I decided to "upgrade." This would be my final hi-gain amp purchase. I wanted it for under 1500, and I didn't want to have to use a bunch of peripheral stuff - plug and play. I was willing to compromise a little on the "bedroom practice amp" part, since I already had one of those.

So far, it has lived up to all of that.

I am in no way slagging modeling amps. Frankly, I love my Line 6. It is a tremendous bang for the buck. With some tweaking around you can get some very very good tones out of it. I just always wanted a Marshallesque amp, one that could be played out (since that is the ultimate goal). I think the Splawn stuff is probably one of the best Marshallesque products out there, and they are pretty affordable as well. If I sound like a Splawn fanboi, well that's because I am.

I would say though, to get some more professional opinions, you might consider going to the Splawn users forum. There are some serious smoking players there with tons more advice than I can offer. But yeah, there are some low-volume solutions that seem to work fine. I know of two different ones I use and I like 'em both.
 
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Re: Splawn Amps?

Here's one for sale on EBay with 2x12 cab......FYI

Thats the exact model and color scheme I have. $2000.00 is very reasonable if its in mint condition (I didn't both to read the auction).
 
Re: Splawn Amps?

So, there are two opinions for you as far as definition of a practice amp. Mine works for me, but his didn't work for him. Again, very subjective. I know the owner via the Splawn board, and he seems a good guy. 2,000 is probably a great deal for the package. The 2x12 goes 6 hundy new and the QR goes 1950 new.
 
Re: Splawn Amps?

Oh, that was a 100 watt QR. It's switchable to 50w, maybe that's where the volume problem is. Still, lots of dudes on the Splawn board play those at home, too. That's a nice feature with the Competition - switchable to 25. It's a friggin' loud 25 tho.

I was playing mine loud today. The Competition is really an underrated Splawn product. Seriously, not many of us will need more than 50 watts. The only thing lacking is a clean channel. But, know what? I was playing loud today at home. I had 3rd gear/OD2 going (gobs of gain). I rolled the volume knob back and had a pretty daggone alright clean sound going for Metal. I was playing "Into the Fire." Requires dirty and clean - did 'em both - no switching no nuttin' just roll the knob back.
 
Re: Splawn Amps?

The Splawns and Mesas/Peavy's are different beasts. Different kind of gain structure. Some who like one type may not like the other. If you're looking for a Mesa or PV sound look elsewhere IMO. If you're looking for a Marshall tone, definitely worth a look.

Well, here is the thing.. Ive ALWAYS wanted a great sounding Marshall. But cannot gel with any. Im pretty sure what I need is a hot rodded JCM 800. So, for this reason, Im thinking the Splawn may be the "marshall" sound I hear in my head, but cannot find in the stores.. Make sense? I need a Marshall with more..
 
Re: Splawn Amps?

Well, here is the thing.. Ive ALWAYS wanted a great sounding Marshall. But cannot gel with any. Im pretty sure what I need is a hot rodded JCM 800. So, for this reason, Im thinking the Splawn may be the "marshall" sound I hear in my head, but cannot find in the stores.. Make sense? I need a Marshall with more..

It's been years and years since I played a Marshall. It was the 80s and I sucked - even worse than I do now LOL. Back then I had zero knowledge about gear - I lived in a small little town with little contact with the outside world.

But, it was a JCM800, it was my cousin's. I was so stoked to go and try that amp - I was playing through a Carvin 60watt combo. Well, I was disappointed - where was all that "distortion" I was hearing on the records? Well, turns out the stock 800s needed some help - mods, ovedrives, distortion pedals, tweaking. IMO, that's what the Splawn really is at the heart, a modded out great sounding tone which requires zero tweakage - straight outta the box. I don't even use an OD pedal. I'm considering getting a delay just for leads (because I suck - not the amp). But I swear brother - I'm talking very minimal tweakage. I just don't have to. Any EQ setting any gear - they all work.

So yeah, if you're looking for a beefed up Marshallesque tone - Splawn is definitely worth a look.
 
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Re: Splawn Amps?

Ok, picked my Competition on Monday and because of work ain't had a chance to really try it until today. I ain't got my 4x12's at hand at the mo' so just had to run through my Engl ported 1x12 with V30.

All I can say is WOW!!!!!! This thing is pure hot rod Marshall to the bone - great tones with minimal tweaking and even just running through a 1x12, this baby roared like a lion. I ran my Intellifex in the loop for a touch of reverb and delay and also to attenuate the amp a bit using the output control. I had gain at 12 o'clock and master (on pentode 50w) at about 10 o'clock. Tones as follows -

Gear 1, OD 1 - Early Van Halen/Michael Schenker tone. This is VHII straight up. But by lightening the attack, any 70's rock tone is possible. Rolling off the volume produced a great clean tone too - not Fender shimmery clean, but great all the same.

Gear 1, OD 2 - 80's heaven, just like all those classic modded tones that we all hankered over . Think Lynch, DeMartini, Jake E Lee or even Slash. I'd think I'll be using this for rythym work most of the time.

Gear 2, OD 1 - Starts where Gear 1 left off, but adds a great dollop of low end chunk. Also smoother and possibly more AOR such as Winger, Schon etc.

Gear 2, OD 2 - Into serious gain here along the lines of 1987 era John Sykes and also very much like Doug Aldrich's Cameron modded Marshall JMP's.

Gear 3 just adds more gain taking off from Gear 2 and on OD 2, soloing takes on a very liquidy, compressed feel that just seems to sustain for as long as you want.

The amp as a whole has a tight feel and although there is more than enough gain for most peoples need's, it remains clear and articulate. You can't hide behind any mud or fizziness so technique becomes impotant, although the rewards are very satisfying. I can't wait to run this baby through my 4x12's!!!!! All I can say is believe the hype!!!:14:
 
Re: Splawn Amps?

Great review, Rocker35!

You really nailed one of the most defining aspects of Splawn amps - they DO NOT hide slop. You'd better have your technique sorted out or they will expose you!
 
Re: Splawn Amps?

Great review, Rocker35!

You really nailed one of the most defining aspects of Splawn amps - they DO NOT hide slop. You'd better have your technique sorted out or they will expose you!

As I have discovered by experience. :blackeye:

But, I think the tightness is the price of admission for having such articulation. Absolutely no mud and no fizz - all body.

Nice review - I agree.
 
Re: Splawn Amps?

But, I think the tightness is the price of admission for having such articulation. Absolutely no mud and no fizz - all body.

I've got to agree.

All body - that's really a good way to describe their tone. It's really the tone I'd been looking for all along. I've always referred to what I heard coming out of the Splawn as a really strong fundamental note... Like the NOTE ITSELF is ringing out loud, without the usual accompaniment of top-end fizz or useless low-end mud... but I like your description better. Says it all in fewer words.
 
Re: Splawn Amps?

It's been years and years since I played a Marshall. It was the 80s and I sucked - even worse than I do now LOL. Back then I had zero knowledge about gear - I lived in a small little town with little contact with the outside world.

But, it was a JCM800, it was my cousin's. I was so stoked to go and try that amp - I was playing through a Carvin 60watt combo. Well, I was disappointed - where was all that "distortion" I was hearing on the records? Well, turns out the stock 800s needed some help - mods, ovedrives, distortion pedals, tweaking. IMO, that's what the Splawn really is at the heart, a modded out great sounding tone which requires zero tweakage - straight outta the box. I don't even use an OD pedal. I'm considering getting a delay just for leads (because I suck - not the amp). But I swear brother - I'm talking very minimal tweakage. I just don't have to. Any EQ setting any gear - they all work.

So yeah, if you're looking for a beefed up Marshallesque tone - Splawn is definitely worth a look.


Sounds perfect.. Yeah, thats what Im finding out with Marshalls is that they arent as distorted as I always thought.. Funny cuz all the heavy players I listened to growing up. But when I play them now, Im like "where's the beef?"
And to get the most out of them, they need to be cranked.

So this could be what Im looking for.
 
Re: Splawn Amps?

I've got to agree.

All body - that's really a good way to describe their tone. It's really the tone I'd been looking for all along. I've always referred to what I heard coming out of the Splawn as a really strong fundamental note... Like the NOTE ITSELF is ringing out loud, without the usual accompaniment of top-end fizz or useless low-end mud... but I like your description better. Says it all in fewer words.

This sounds quite appealing to me..
 
Re: Splawn Amps?

Ok, picked my Competition on Monday and because of work ain't had a chance to really try it until today. I ain't got my 4x12's at hand at the mo' so just had to run through my Engl ported 1x12 with V30.

All I can say is WOW!!!!!! This thing is pure hot rod Marshall to the bone - great tones with minimal tweaking and even just running through a 1x12, this baby roared like a lion. I ran my Intellifex in the loop for a touch of reverb and delay and also to attenuate the amp a bit using the output control. I had gain at 12 o'clock and master (on pentode 50w) at about 10 o'clock. Tones as follows -

Gear 1, OD 1 - Early Van Halen/Michael Schenker tone. This is VHII straight up. But by lightening the attack, any 70's rock tone is possible. Rolling off the volume produced a great clean tone too - not Fender shimmery clean, but great all the same.

Gear 1, OD 2 - 80's heaven, just like all those classic modded tones that we all hankered over . Think Lynch, DeMartini, Jake E Lee or even Slash. I'd think I'll be using this for rythym work most of the time.

Gear 2, OD 1 - Starts where Gear 1 left off, but adds a great dollop of low end chunk. Also smoother and possibly more AOR such as Winger, Schon etc.

Gear 2, OD 2 - Into serious gain here along the lines of 1987 era John Sykes and also very much like Doug Aldrich's Cameron modded Marshall JMP's.

Gear 3 just adds more gain taking off from Gear 2 and on OD 2, soloing takes on a very liquidy, compressed feel that just seems to sustain for as long as you want.

The amp as a whole has a tight feel and although there is more than enough gain for most peoples need's, it remains clear and articulate. You can't hide behind any mud or fizziness so technique becomes impotant, although the rewards are very satisfying. I can't wait to run this baby through my 4x12's!!!!! All I can say is believe the hype!!!:14:


This sounds perfect!! I especially like the John Sykes reference!! In the still of the night is the shiznizz!!

How does the Competition differ from the Quick rod?? If this was answered earlier, Im sorry, Im in a hurry
 
Re: Splawn Amps?

The original auction has be altered then cancelled and relisted without the cabinet at only $1600!! Someone better jump on this, you can't go wrong!

Link-ola
 
Re: Splawn Amps?

This sounds perfect!! I especially like the John Sykes reference!! In the still of the night is the shiznizz!!

How does the Competition differ from the Quick rod?? If this was answered earlier, Im sorry, Im in a hurry

The Quickrod is 100/50 watts, two channels. It has an independent clean channel, and the dirty channel has the three gears. EL34 based amp.

The Competition is 50/25 watts, single channel. EL34 based amp also. It does not have an independent clean channel. If a pure clean channel is important to you, then the QR is your ticket. If you don't need the clean channel, and you don't need 100 watts, then the Competition is about 500 bucks less.

The QR can be had quicker through Splawns dealers. The Comp is direct-only from Splawn and figure at least 12 weeks at this point so I hear. That's how long mine took.

As a footnote, I spoke with Scott today as I just purchased a new 2x12. What a really cool guy. I peppered him with a bunch of techie/noob questions and he was all cool about it. I've called him several times now, and he's, "you live in Washington, right?" Very enthusiastic about tone!
 
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