The difference is a little bit less mid-lows. The highs remain the same.The difference might be a slight cut in the high, but the voicing of the guitar won't change.
The difference is a little bit less mid-lows. The highs remain the same.
/Peter
With today's technology, the ISO 9000- complaint foundries found all over the world, using mass spectometers and computer controlled annealing process, the difference in batches of the same Alnico grade has become close to inexistent.the potential differences in a particular batch of magnets can be greater than the differences imparted by a different magnet length
Best neck humbucker I ever owned was a T-Top that someone had used to replace the neck pickup in a 1960 ES-355.
With today's technology, the ISO 9000- complaint foundries found all over the world, using mass spectometers and computer controlled annealing process, the difference in batches of the same Alnico grade has become close to inexistent.
The difference between a short and a long A5 magnet bar, poured by the same foundry to the same recipe is audible, in certain cases some have compared'em to the effect produced by slanting the 6th string p'up side by ca. 2 mm. Which I find to be " a lot", specially what I've myself experienced the effect of a 1/4 of turn of the screw can have in certain p'ups with certain low-powered mags like the A3 in the neck position.
When I put the same alnico grade in both the neck and bridge p'up, I usually use a short mag for the neck and the long for the bridge, but I'll give it to you that we're cruising deep in cork-sniffer territory.
/Peter
Well, the design itself doesn't really work that well in the bridge position. In average, I find'em shrill and anemic in that position. You need to put'em through an OD pedal to counter the inherent shrilness and anemy. Or, to use an A6 or A8 magnet, at least as a palliative, although the tonefootprint will anyway shine through.Wonder if that explains why the T-Tops guys like tend to be in the neck position.
Well, Larry has a #2 '68 335 that a fan gave him as a gift, which hosts an original '50s PAF set, acquired at Gruhn's, and installed by Larry's tech, Rick Wheeler. That guitar has too had really many hit records under its belt as well.When I think of T-Tops I think of Larry Carlton and his ‘68 or ‘69 ES-335.
He played all those sessions and played all those solos and rhythm parts for Steely Dan, the Crusaders, Tom Scott, Joni Mitchell and countless other artists with the stock T-Tops in his ES-335.
It'll be quite a bit louder, but it'll lose the "vintage" vibe. The strongest mag I'd use in a T-Top for the bridge position is an A6.Thanks, what about an A8 then? How much louder will that be than a short A5?
I consider T-Tops to be supremely meh. Why do you think 70's Les Paul's spawned the custom pickup business? (I know - Marshall's without enough juice helped too.)
So yeah - Swap as if your tone depends on it! Because it does....
When I think of T-Tops I think of Larry Carlton and his ‘68 or ‘69 ES-335.
He played all those sessions and played all those solos and rhythm parts for Steely Dan, the Crusaders, Tom Scott, Joni Mitchell and countless other artists with the stock T-Tops in his ES-335.
68 & 69? Where those T-Tops?
I love T-tops at the neck too. Not as fond of them at the bridge, though I used to be. Have been spoiled by having so many choices these days.
OP, you might contact Mick at Manlius; he makes a T-top type as well as a hotter version called the Vinyl. He might have some insight he'd be willing to share.