Talk to me about Multi-fx pedals...

Re: Talk to me about Multi-fx pedals...

But I'm really a single effects guy. I like having each effect at my feet to look at and tweak as I need to. No matter what, there are no effect processors that are as practical on stage as having individual effects at your disposal. You can switch things up on the fly and layer them as you want to.

The M13 lets you do all these things.
 
Re: Talk to me about Multi-fx pedals...

You guys would piss on a lot of the gear Page used o do Zepplin recordings. So BAH on your issues with Modeling.

Your ears can't tell on the recording and no one in the audience cares (or can tell either).

If it sounds good, it is good. You are making the judgement on the idea - not the sound. And there are plenty of great modeled/FX'd sounds out there. I bet some of you would crap yourselves to find out band X was actually running into a MacBook Pro instead of that stack on-stage. But you went home and RAVED about the sound!

Fu Manchu? Since when did they become a "big" band?
 
Re: Talk to me about Multi-fx pedals...

The M13 lets you do all these things.

yes, but not as practically as having individual pedals. also, I'm a big fan of parring different dirt pedals that organically respond to one another. I don't think any modeler or digital processor can truly emulate the sound I get from combing my fuzz pedal with my overdrive pedal over top of the clean sound from my amp. thats organic. of course you can get some really great tones from the models that line 6 offers, I'm not trying to say they suck or anything. I just really like using individual pedals.
 
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Re: Talk to me about Multi-fx pedals...

He he, you think? Ok, let me give you more Marshalls:

http://www.youtube.com/watch?v=CPbuay4QdfQ

http://www.youtube.com/watch?v=oex5rt_U-Jc

Find me just one with Line6 :)

Yes, I think so. He only used Line6 during United Abominations album. He has always been a Marshal user but he switched back and forth a lot. Especially when recording. He is known to use cae3, bogner fish, prophesy, digitech preamps, VHT power amps.
I agree he is huge fan of marshalls but he tried a lot of other stuff out there.

You guys would piss on a lot of the gear Page used o do Zepplin recordings. So BAH on your issues with Modeling.

Your ears can't tell on the recording and no one in the audience cares (or can tell either).

If it sounds good, it is good. You are making the judgement on the idea - not the sound. And there are plenty of great modeled/FX'd sounds out there. I bet some of you would crap yourselves to find out band X was actually running into a MacBook Pro instead of that stack on-stage. But you went home and RAVED about the sound!

Very good points Ace. Spoken like a true philosopher.


And without hijacking the thread any further, for Dali's questions; Line 6 M9 and M13 are a very good stomp box modelers. Here is a very good M9 demo

http://www.youtube.com/watch?v=vlHz1kOFknM&p=C0DCA412EB0DF0EE&playnext=1&index=63
 
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Re: Talk to me about Multi-fx pedals...

Uh, Okay:

http://www.youtube.com/watch?v=I1U-Go1cPxA

The reason that he doesn't use the Line 6 anymore is that they weren't reliable on the road. End of story.

I believe you, but I still say he is BSing.
Mustaine about his Line6 signature model:

"I used to use Marshall power amp, similar in size, weight five times as much as tihis" ....that's like a bad thing ?!
He is talking as if he was the one to carry the equipment. Or like he had a sudden revelation of altruism and he is feeling sorry for his roadies :)

"It's modeled after Marshall 1967 Plexi"

"and then there's the Plexi sound which is identical to the sound that we modeled the amp after"

WhyTH would someone go from Marshall to Line6 just to have an exact Marshall clone? I don't believe he even used it for recording.
He's a megalomaniac. He just wanted a signature amp, but Marshall didn't find him to be such an important person to have their signature amp, and he went to Line 6.
And they needed guys like him to promote their equipment. Before that they only had crappy SS amps. WTH does 'Line 6' mean anyway?
That every 66th buyer will have a 6-66 model number so that more satanic sounds will be coming out of the speakers?

I do believe that they were unreliable. What else he expected from a 10 lbs 100 W head?!

BTW, that's just my opinion, and by no means I want to neglect you personally, or the official data that you quoted :)
 
Re: Talk to me about Multi-fx pedals...

Moose, I thought the Riff-Off recordings were very professional sounding, and, as I recall the majority of them were recorded with modelers. Maybe when you get to the level of a Mastodon or Megadeth or Devils of Belgrade or something, you can really crank your amps and record and mic them properly, but for mere mortals, I think the modelers are plenty good.


The only real point I'm trying to drive home is this notion that one 'must' use a multi-fx box or some sorta modeling thing for home recording. That's a total cop-out.

Believe me, I've recorded PLENTY of guitars going through amps at volumes that can either be talked or shouted over.

Amps don't need to be at wall-shattering volume to sound great with a mic. Not even close. Even those little battery powered amps can sound HUGE if you put a little effort into it... and those can be tucked under a bed.



The last few King Crimson albums were, and that is pretty heavy intense stuff. Adrian Belew used his early-2000's era Johnson modeling amps and a Line6 Variax, and Fripp used his rack, which uses a mid 90s era Roland GP-100 modeling preamp direct for most of the sounds.


King Crimson is pretty legit but com'on man! Those cats are the poster children for tweaky, processed "guitar that doesn't sound like a guitar" tones. I love that stuff but its like saying everyone drives at 180 miles an hour and then using Jeff Gordon as the example.

That's what? Maybe 10% of the guitar playing population is going for that sorta thing? I wish it were more... even though its not my personal bag I do enjoy listening to that trip.



You guys would piss on a lot of the gear Page used o do Zepplin recordings. So BAH on your issues with Modeling.


Not likely since a lot of the gear used back then is STILL in high demand today. Somehow Neumann & AKG tube mics going through big transformer based consoles like a Neve or Helios never went out of style. To say nothing of Les Pauls, Tele's, Marshalls and Ludwig drums...


Your ears can't tell on the recording and no one in the audience cares (or can tell either).

If it sounds good, it is good. You are making the judgement on the idea - not the sound. And there are plenty of great modeled/FX'd sounds out there. I bet some of you would crap yourselves to find out band X was actually running into a MacBook Pro instead of that stack on-stage. But you went home and RAVED about the sound!

I'd beg to differ... most people can readily tell the difference in an A/B test. Especially in a studio where every detail is under a magnifying glass.

And I still haven't come across any modeling/FX box that makes me want to toss any of my half-dozen amps and put that cash into the bank.

Nor have I seen any band of notable stature running the guitars into a macbook at a concert... and believe me, with the all-access passes, I'd see that.


Fu Manchu? Since when did they become a "big" band?

Probably about the same time Kiss fired Ace for the second time. hehehehe

I dunno man, if touring with White Zombie & Manson... having your tunes all over the X-Games & the Dogtown movies isn't "big" then I dunno what is. How's your band doing?
 
Re: Talk to me about Multi-fx pedals...

the only real point i'm trying to drive home is this notion that one 'must' use a multi-fx box or some sorta modeling thing for home recording. That's a total cop-out.

b.s.

not so much.

All that stuff existed 20 years ago, and it basically sucked then and it still sucks now. Though it has indeed become 'less sucky' then it ever was. 20 years ago, instead of being called the rp300 or whatever, it was the gsp21... Or the ada mp1... Or any number of other things.



F that modeling stuff.

If that's all 'ya have... Ok... Cool... Run with it. Great performances, if you have something to say as a musician will shine through. Hopefully.

Otherwise, imo multi-fx sucked and still suck.

I had a rack rig for a while and really grew to hate it after a lot of gigging.

So much easier to reach down and tweak a knob then scroll through menus...
 
Re: Talk to me about Multi-fx pedals...

I just find it easier for my needs to plug in the modeler and hit record
rather than setting up a pedalboard and finding the perfect mic position

if you guys have an extra room in your house just to leave all this set up
then Great I dont

models are fine for what I do
in a band recording
the subtleties of you mic position would get lost to the bass and drums and the lead singer's "its the lyrics that carry the tune man"
 
Re: Talk to me about Multi-fx pedals...

I believe you, but I still say he is BSing.
Mustaine about his Line6 signature model:

"I used to use Marshall power amp, similar in size, weight five times as much as tihis" ....that's like a bad thing ?!
He is talking as if he was the one to carry the equipment. Or like he had a sudden revelation of altruism and he is feeling sorry for his roadies :)

"It's modeled after Marshall 1967 Plexi"

"and then there's the Plexi sound which is identical to the sound that we modeled the amp after"

WhyTH would someone go from Marshall to Line6 just to have an exact Marshall clone? I don't believe he even used it for recording.
He's a megalomaniac. He just wanted a signature amp, but Marshall didn't find him to be such an important person to have their signature amp, and he went to Line 6.
And they needed guys like him to promote their equipment. Before that they only had crappy SS amps. WTH does 'Line 6' mean anyway?
That every 66th buyer will have a 6-66 model number so that more satanic sounds will be coming out of the speakers?

I do believe that they were unreliable. What else he expected from a 10 lbs 100 W head?!

BTW, that's just my opinion, and by no means I want to neglect you personally, or the official data that you quoted :)

You sure do seem hell bent on putting Mustaine in his place. I don't think we'll ever agree on the place though...
 
Re: Talk to me about Multi-fx pedals...

You sure do seem hell bent on putting Mustaine in his place. I don't think we'll ever agree on the place though...

Well, most I can give you is to say that dubious quality of guitar sound on UA smells like L6. That's my best offer :)
 
Re: Talk to me about Multi-fx pedals...

Is a real tube amp going through a nice mic through a great mic preamp in a great room and all that other crap probably better than an amp modeler?

Yeah.

Is that why the big bands use 'em?

Yeah.

If you're a ****ing broke-ass musician, can an amp modeler come close enough, so you don't spend the extra ten of thousands of dollars just to get *that* sound?

You bet your ass.

Anyways, thus the advantage of modelers, and to a lesser extent, multi-fx. Cheaper. Easier. In many cases, more conductive to the creative process. "Better" is an arbitrary term that depends on a person's situation. "Sound quality" will not always reign as king.
 
Re: Talk to me about Multi-fx pedals...

Anyways, thus the advantage of modelers, and to a lesser extent, multi-fx. Cheaper. Easier. In many cases, more conductive to the creative process. "Better" is an arbitrary term that depends on a person's situation. "Sound quality" will not always reign as king.

Real tubes are a huge advantage, though. Comparing a Vox Tonelab (has a tube) and any Line6 model is an eye-opener. Even on my keyboard I have a tube (Korg Triton Extreme) and putting the tube in is almost always an advantage.
 
Re: Talk to me about Multi-fx pedals...

Real tubes are a huge advantage, though. Comparing a Vox Tonelab (has a tube) and any Line6 model is an eye-opener. Even on my keyboard I have a tube (Korg Triton Extreme) and putting the tube in is almost always an advantage.

I thought so too, but I think it's because the Vox units have better cab sims. I've been using Revalver with 3rd party impulses and it's blowing away the Tonelab ST, which was my favorite for a while. I started loading Line 6 amps (from Pod Farm) into Revalver and they're really opened up once you quit using the stock cabs. (I ran the Tonelab ST into the computer and used 3rd party impulses and was able to get the same tones.)

Out of the floor units though, the Vox Tonelab ST does sound better than the Digitech RP series and Line 6 X3 series.
 
Re: Talk to me about Multi-fx pedals...

I get alot of cool tones from my Line 6 Floor Pod Plus running stereo into a Vox VT-15 and an Orange Crush 15R. Great man cave rig.
 
Re: Talk to me about Multi-fx pedals...

You guys would piss on a lot of the gear Page used o do Zepplin recordings. So BAH on your issues with Modeling.

Your ears can't tell on the recording and no one in the audience cares (or can tell either).

If it sounds good, it is good. You are making the judgement on the idea - not the sound. And there are plenty of great modeled/FX'd sounds out there. I bet some of you would crap yourselves to find out band X was actually running into a MacBook Pro instead of that stack on-stage. But you went home and RAVED about the sound!

Fu Manchu? Since when did they become a "big" band?

+1 to Aceman.
 
Re: Talk to me about Multi-fx pedals...

I am seriously interested in trying this out... my intent is simplicity and variety of tone without all the pedals at my feet. For standard rock distortion my Traynor breaks up just fine, but if I want to add some color I'd rather have a setting than tweaks all the pedals... I think I'm going to look at the Vox series...
 
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