zenmindbeginner
New member
I'm sure many of the die hard Seymour Duncan and George Lynch fans will already have seen this since it's on the Facebook page and the website.
But I did do a Sneak Preview here and would be remiss in not presenting the actual video.
Here it is
I'm not crazy about how it looks in 360p, the bitrate makes some of the graphics look like poo.
Not sure why they throttled down the bitrate during the complex parts, it's an error on their part.
It's full HD, so at 480p starts to look decent, but the intro looks pretty ratty at 360p which is the resolution for this embed.
This has a complex guitar sound:
The left channel is Princeton Reverb + pedalboard recorded by two microphones
The right channel is my POD X3 Live submixed to mono with my usual CustomTone patch.
Lynch's sound was really complex with multi-amp/multi-microphone set-ups. I thought the least that I could do was use as much firepower as I had available... my Super Reverb's reverb stopped working sometime last Spring and it's currently in need of repair so I used my Princeton reverb instead. There's a point where I show each pedal in my pedalboard that I use... the knobs are exactly where I had them when I recorded.
I must admit that I am thankful for the members in the '78 Model review thread that do not care for modeling and prefer tube amps. This led me to develop my pedalboard+amp+microphone set-up... I don't think I ever would have done that had they not protested so vociferously about my unabashed use of modelers. The end result is that I don't even play through my modeler much anymore and TOTALLY prefer my amp+pedalboard+microphones set-up. The sound I captured from my "analog" rig was around 85% of what I experience standing in front of the amp so I included the "digital" rig because I need to refine and improve the "analog" rig until I am hearing 100% of what I experience standing in front of the amp or in it's vicinity.
I apologize for kicking and screaming the entire way, it was really fantastic advice. I guess the only thing left to debate is whether or not I should have used a blackface Fender amp... purists will say that I should have used a Marshall. I must say that I am a blackface Fender guy all the way... the amps are magical and just my personal preference... if I had an extra 2 grand laying around, I would just buy another Fender. lolz!
But I did do a Sneak Preview here and would be remiss in not presenting the actual video.
Here it is
I'm not crazy about how it looks in 360p, the bitrate makes some of the graphics look like poo.
Not sure why they throttled down the bitrate during the complex parts, it's an error on their part.
It's full HD, so at 480p starts to look decent, but the intro looks pretty ratty at 360p which is the resolution for this embed.
This has a complex guitar sound:
The left channel is Princeton Reverb + pedalboard recorded by two microphones
The right channel is my POD X3 Live submixed to mono with my usual CustomTone patch.
Lynch's sound was really complex with multi-amp/multi-microphone set-ups. I thought the least that I could do was use as much firepower as I had available... my Super Reverb's reverb stopped working sometime last Spring and it's currently in need of repair so I used my Princeton reverb instead. There's a point where I show each pedal in my pedalboard that I use... the knobs are exactly where I had them when I recorded.
I must admit that I am thankful for the members in the '78 Model review thread that do not care for modeling and prefer tube amps. This led me to develop my pedalboard+amp+microphone set-up... I don't think I ever would have done that had they not protested so vociferously about my unabashed use of modelers. The end result is that I don't even play through my modeler much anymore and TOTALLY prefer my amp+pedalboard+microphones set-up. The sound I captured from my "analog" rig was around 85% of what I experience standing in front of the amp so I included the "digital" rig because I need to refine and improve the "analog" rig until I am hearing 100% of what I experience standing in front of the amp or in it's vicinity.
I apologize for kicking and screaming the entire way, it was really fantastic advice. I guess the only thing left to debate is whether or not I should have used a blackface Fender amp... purists will say that I should have used a Marshall. I must say that I am a blackface Fender guy all the way... the amps are magical and just my personal preference... if I had an extra 2 grand laying around, I would just buy another Fender. lolz!
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