I offer this tip..... DO NOT COMPRESS TO MP3 . . .
Just an FYI. Since the invention of digital audio, the word "compression" has two distinct, and unrelated, definitions. One is "dynamic" compression. That's what radio stations do to music and your pedal does to your guitar or bass. Then there's "file" compression. That's what a "Zip file" does to text, or an MP3 encoder does to an audio file. A modern, well written MP3 encoder, (like the latest LAME encoder), does not introduce any dynamic compression into an audio file. If I made a hi-res MP3 file, you wouldn't be able to tell the difference from the original wav file in a blind A/B test. Or a sighted one for that matter.
On the other hand, YouTube is bad.![]()
Seriously, the lengths guitarists will go to in order to avoid blind testing, where they'd have to admit that they're at wine-tasting levels of "full of ****"...
This right here...
We could argue "Well, a The JB won't be distinguishable from the JBJ if you are using a closed back 1x12 closed back EL34 with vintage Celestians vs EL84's and Texas heat in a 2x12 open back!!!" You guys are gonna start telling me about the relative humidity in Florida pretty soon....
An iPhone Direct to Facebook, or A close Senheiser center cone with a 40% mix of a 57 off-axis 1.5 ft away through a studio reference monitor into Protools....blah blah blah.
Seriously? You expect me to find a JB made during the 90 days he was interesting?
When I finish the Riot/Dream/Solo vid...
Cobain has been interesting for 30 years lol. He's an effing legend!
What is this Riot/Dream/Solo vid thing you're working on? I missed that somewhere along the way...
There's already a clip in this thread where differences could be heard. Subtle, but not indiscernible. Unless you're suggesting we're suffering from confirmation bias because the video tells us the pickups are different? Nonetheless, I'm stating that in that clip I could hear subtle differences, even under all that gain.
This, I mostly agree with. A lot of listeners aren't going to be familiar enough with all three versions to consistently match the tone to the pickup. I'll count myself among that group.
I'll add that I don't think one batch of clips is a large enough sample size. You need to record the same riff on the same model multiple times.
Riff A
Pickup 1, Take 1
Pickup 2, Take 1
Pickup 3, Take 1
But then occasionally throw in some placebos and see if anyone catches that you included the same pickup in multiple takes. That's where you'll catch a listener's confirmation bias.
Riff B
Pickup 1, Take 1
Pickup 2, Take 1
Pickup 1, Take 2
Riff C
Pickup 2, Take 1
Pickup 2, Take 2
Pickup 2, Take 3.
Too bad his music wasn't.