The mighty Marshall 1962HW (Handwired Bluesbreaker Combo)

Re: The mighty Marshall 1962HW (Handwired Bluesbreaker Combo)

50-year old recording quality sucks

Say's Who? Certainly not the Who. I know people that only listen to classic rock and other on thick vinyl records because of the old school sound quality. Studios in those days had tube powered equipment and produced fantastic sounding analog recordings.
 
Re: The mighty Marshall 1962HW (Handwired Bluesbreaker Combo)

Say's Who? Certainly not the Who. I know people that only listen to classic rock and other on thick vinyl records because of the old school sound quality. Studios in those days had tube powered equipment and produced fantastic sounding analog recordings.

Youll hear amp builders or pickup winders talk about matching Jimi's tone at a specific festival or three... The sound quality on those vids is awful.

Also, thats The Who, they had more of a quality tone vs., well, the mud of Hendrix through a Marshall. Guys really oughtta start to learn to differentiate TALENT, SONGWRITING, STAGE PRESENCE, AND SKILL from good-sounding gear... Dude played flipped over right handers while world famous for gods sake, and made the Celestion 30 famous just on account of ragequitting after blowing too many weaker cones, not cuz he thought it sounded best! Of course he didnt have perfect equipment - he was clearly making do with what he could get at the time, and likely was pretty dissatisfied himself
 
Re: The mighty Marshall 1962HW (Handwired Bluesbreaker Combo)

the elephant in the room for the OP is that NONE of the components in a new marshall are the same as an original bluesbreaker. The speakers are made in china, as are nearly all of the electronic components inside the amp. In addition to this, modern day tubes are either produced in china or russia and are quite different to what was freely available back in the day.
Times have changed.
Original spec. means a lot more than original branding.
You can get fantastic sounding amps these days from Marshall and many other manufacturers, but you will never get an amp that is the same in every respect as the originals. The only thing that has remained is some of the well known company names such as marshall, celestion, atom etc

Chasing the holy grail is a pursuit for blues lawyers and not working musicians.

Getting a great sound is often more about getting whatever amp you have working at its best. The classic tone we all know from the bluesbreakers album involves cranking the amp. You simply can't crank one of these amps in 99% of gigs anyway, so kiss the tone you hear on old records goodbye. No amount of internet research will replace gigging experience and ill lay down any amount on a bet that a good player with a smaller amp will get a much sweeter and "more authentic" tone than someone with a real bluesbreaker for the very reason that they can crank the smaller amp, rather than have to keep it low on the volume dial and neuter the tone.
 
Re: The mighty Marshall 1962HW (Handwired Bluesbreaker Combo)

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Re: The mighty Marshall 1962HW (Handwired Bluesbreaker Combo)

Say's Who? Certainly not the Who. I know people that only listen to classic rock and other on thick vinyl records because of the old school sound quality. Studios in those days had tube powered equipment and produced fantastic sounding analog recordings.

Agreed. Some if my favorite records were produced in the 60's. With all the "flaws" in the recording process. The artists in many cases were able to take these flaws and work them into something beautiful. Electric Lady land and Sgt peppers were two of the best records if the 60's and are both in my rotation today ELL has to be my favorite reciting to date
 
Re: The mighty Marshall 1962HW (Handwired Bluesbreaker Combo)

I also like the simplicity of Axis Bold as Love which I believe was recorded at Olympic Stuidos in London. It really lets the amazing creativity of the songs themselves shine.

But it doesn't need to be a studio recording to be amazing. The live Band of Gypsies is a sound that guitarists have been chasing for decades. The Filmore East produced some great live recordings, for example the Alman Brothers...

When we are talking about Bluesbreaker combos we of course are talking about Eric before Cream and when he was with John Mayall. That recording really laid the foundation of the Les Paul tone which carries on to this day.
 
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