Re: The Official April 2K18 SDUGF Modding Contest
Hello!
Finally got around to drop my entry. I've posted a lot about it, partially because I haven't got that many guitars, but also because it's the one I've been modding as long as I've played guitar. I got it fininshed about year ago, and I don't think I'm going to change it again. I think it's perfect instrument for me as it is now.
Started as squier CV 60's, bought it brand new in 2010. Only cost 400€ (480 USD) then, currently they're over 500€ I think...
I call it as "Ramcaster":
Body: Alder sunburst. (I got lucky with that: There's not a line visible under the see through part. Don't now about the black painted sides, but it's practically one-piece!)
Neck: Modern C, rosewood fingerboard.
That's the original parts (mostly).
Hardware:
Tuners: Wilkinson EZ-Lok, Kluson-type. Allowed me to throw out string trees.
Schaller strap-locks. Other minor tweaks include at least completely tape shielded cavity (on top of stock electric paint) and sanded back of the neck.
Bridge:
Bridge plate is stock piece from Peavey Raptor series I strat. It's thicker and heavier than usual, and also has interesting feature: The bevel to make it rock is longer than usual, (see what I did there

) so it always dips into floating position. Allowing floating setup with adjustable tension! (It's not possible to get it down-only though.)
Saddles are currently Peavey Raptors as well, that's only thing I've been considering yet to improve.
Trem block and arm are from American Deluxe strat. Springs are stock Squier ones, which I found to be just brilliant, being significatly stiffer than usually. I made a thread about them (and how they improve tone) last year
As you can see in picture, I also modified the jack plate to allow fitting of master volume there and glued bottle caps on knobs to make push-pulls easier to use. Also made rolling them much faster. And I like the look of them...
Pickups:
Neck: Van Zandt Blues rwrp
Middle: SSL-5 (custom)
Bridge: SSL-7 T (tappable staggered QP)
Wiring:
Pretty much entirely re-thought, so I begin by explaining the concept... First iteration was to allow all possible tonal combinations, and sculpt the overal tone as good as possible in the process. When I got it figured what worked best, I began to cut out all the excess, to make reaching the good ones as streamlined as possible, which resulted in a very convoluted, but simple and effective controls. Every tone is two moves away at most.
The positions of 4-way blade switch (much prefer this to 5-way switch for ease of use):
1 Neck/Bridge parallel (bridge tapped)
2 Neck/Bridge parallel
3 Middle/Bridge parallel (bridge tapped)
4 Middle/Bridge parallel
Then there's DPDT slider that switches bridge off from above setup for single pickup mode. That also switches between dark and bright tone circuits at the same time.
Neck/Middle share the upper volume control, so bridge only position is very easy and fast to dial in as well. Lower volume is for bridge. Volume pots are 500k and have resistor in parallel with in-out lugs to smooth taper (which otherwise gets wrecked by the "individual volumes" wiring).
Upper push-pull pot has series switch. Turning parallel positions above into series positions respectively. In series, the slider DPDT only changes the tone circuit. Another trick is that the upper volume control ground is lifted by series DPDT and connected to bridge hot after bridge volume, so both pickups can be dialled out in series mode for a dark, lower gain tonal palette. To be honest, it's not very useful, but bleed through the said pot gives slight extra edge for series mode, which is nice.
Second DPDT switches the phase of bridge.
Master volume is no-load at 10, made from dual gang pot.
EDIT: Removed the clips for remake, because of the excessive mids during recording... (New below)
EDIT: Added price.