I read Clapton's autobiography, and according to him - his "woman tone" was the bridge pickup with the tone rolled off - NOT the neck pickup.
Single coils in the neck just sound different than a humbucker. They've got a very precise and almost hollow sound that is lovely clean.
A humbucker (even low output PAF style) is a less clear and less defined sound than a single coil . . . this works nicely in the bridge where the twanginess of the strings adds lots of clarity to the sound. In the neck it can be a tough to get clarity with even medium output 'buckers. The higher output of a bucker in the neck combines with the greater amount of motion of the strings in that position and the increased bass response to make for a signal that can overpower a clean channel easily. I find it easier getting a good sound from the bridge, so in a two HB guitar always set the neck to sound good and then adjust the bridge as necessary to balance things. When you get everything working though, you're rewarded with a smokey/throaty neck position sound that works great for leads and isn't overpoweringly bassy.
With neck pickups in general I think they sound better for lead stuff once you start moving further up the neck. Around and past the 12th fret with both 'buckers and singles you'll hear a more fluid/bubbly sound playing up high.
This is what I was getting at. 'm looking to replace the neck pick up on my SG with a P90. The standard Tele neck p/u ( as I recall) is very good for rhythm in different styles, but many have replaced those with a HB
For years I believed itt was the neck pick up..tone rolled down
Treble.What road takes me away from this “woman tone”....because let’s face it most of Clapton’s tones are horrible.
Treble.
Sent from my Alcatel_5044C using Tapatalk
pI'd love to hear an example of this, since my single coil guitars aren't wired like that.
p
In my case, I prefer my Strats with the Eric Johnson/Jimmie Vaughan tone mod. The second tone control wired to the bridge pickup, and the middle pickup wide open. I think Leo Fender would have done it this way had he been a player. This configuration is superior in many ways, and being able to roll the tone back on the bridge pickup is a big reason this wiring scheme is better than the stock classic Strat circuit with the bridge wide open all the time and the second tone knob on the bridge. Just my two cents anyway.