Tim Caswell JMP

Re: Tim Caswell JMP

no this ebay bid was for a JMP with the same type of mod done to it by tim caswell. its cool but the audio clips dont work and buying an amp on ebay is tough since you cant even demo it before hand.
has anybody here had any experience with tim. his work or the #39 mod?
 
Re: Tim Caswell JMP

That amp will make someone happy, I'm sure. It'll be interesting to see where the bidding ends tomorrow.
 
Re: Tim Caswell JMP

ok those sound clips are pretty f'ing bad ass. to me i dont understand the mod, i read somewhere that all it is, is basically another preamp tube added to the amp. if so, then wouldnt we all love the jcm 900 slx? in some ways that amp sounds like it's got an EQ or OD in front of it. thoughts?
 
Re: Tim Caswell JMP

I just don't get all the buzz surrounding it personally. What made Appetite such a great album was the guitar playing, the tones sound like any hot rodded Marshall. Heck, I bet you I could coax similar tones from a 900 SL-X.
 
Re: Tim Caswell JMP

That amp will make someone happy, I'm sure. It'll be interesting to see where the bidding ends tomorrow.

It would be interesting to see if it garnered enough attention to get Caswell and some manufacturer on the same page for the sake of licensing.

If they could produce a PCB clone amp of #39 and do so for the same money were seeing most other mass-production PCB heads going for I think they could do some serious business.

It has confounded me why Caswell has not cashed in on this oppurtunity. Someones sluething lead right to his door and he could stand to make some serious bread on the whole situation. For him not to do something that is at a publically available pricepoint just seems insane.
 
Re: Tim Caswell JMP

I just don't get all the buzz surrounding it personally. What made Appetite such a great album was the guitar playing, the tones sound like any hot rodded Marshall. Heck, I bet you I could coax similar tones from a 900 SL-X.

Eh...no. Even Slash did what he could to retain ownership of #39 when he had it.

The playing was a part of it...but that tone is something that folks latched onto and have been trying to get for a long long time.

Go back and listen to the Illusion albums. Listen to "Estranged" and "Coma" and "Double Talkin' Jive" and think how much different those albums would be with the same tone that Slash was getting during the Appetite album.

In a sense it almost sounds like a totally different player because Slash had to go back and find something that would do the job, but it never seems to get quite where it should be.

#39 is starting to become a serious thing of legend, right up there with Van Halen's Plexi and Clapton's 59'.
 
Re: Tim Caswell JMP

I agree with skare that he should/could be cashing in big time with that 39 mod of his. He ought to make it in his own amp line, something along the lines of the splawn qr. If he sold that type head for $1500 he would do a killing. Like I said before I would love to get one but would need to hear it in person to really know for sure what it is that makes it special. knowing the slash and lynch tones are in there is cool but not pratical unless your goal is to copy their tones to a T. As far as slash goes that tone fits appetite real real well but that same tone wouldnt have worked for the illusions. no way. those records were lifetimes apart and they werent the same band in any way. GNR in many ways ceased to exist by the turn of the decade from 80s to 90s. I like the illusion tone, its more powerful sounding than the appetite tone, but the appetite tone fit that out of the gutter vibe perfectly. All in all these tones we love and grew up with are basically a part of who were but if we dont do our own thing like those guys did at that point in time we'll never grow. I am sure that slash has had to have heard somehow about the #39 mod...or at least adam day has. I just think its part of his past much like GNR is.
I do however wish that the slash head sounded just like that because to me that tone is the one that comes to mind when you mention his name. the jubilee is a far cry from the 39 tone. the jubilee tone is the tone of the covers album, snakepit and contraband. which while badass is just not the 39 tone at all.
As far as the 900slx, it has 4 preamp tubes which is one part of the 39 mod. I'd be willing to bet that you could come close to the tone of the 39 with one. They go dirt cheap on ebay and I've almost pulled the trigger and bought one so many times recently. So many people bash them but to me its a factory made hot rodded marshall that people didnt get into due to the musical climate at the time...much like slash's beloved jubilee in the late 80s due to everyone jumping to rack gear. I mean you could score a used jubilee for nothing a couple years back and now they go for 2plus ballpark everytime.
 
Re: Tim Caswell JMP

I'm not saying that I think he didn't do anything impressive. The tone of that thing alone is impressive. But the fact that he waited such a while longer after that initial huge wave of hype surrounding him had be a little suspicious. Maybe he just waited because he doesnt want Marshall 1959 #39 mods circulating the internet. Who knows really. All I know is I'd sure as hell like to own one of those!

I know he was offering amps for sale, but the pricepoint on them was just outrageous IIRC.

I didn't think about how if he starts moving amps through his shop for mods that eventually someone is going to sit down and work it out and publish it or offer it for cheaper. So, it may very well be that this entire notion is a lost pursuit. Other can mod amps but I think they probably do it on a more one-off basis so the notion of working out the design for a one-off like that has limited appeal. However, for a #39 mod that would likely have a VERY short lifespan as a trade secret.

I still think that if he can work with someone like Peavey or Marshall, a company that does PCB's en masse, they could come up with something and make it available for the average player and cash in.

The downside is that they would want to get Slash on board and I just don't think the guys really all that interested in looking back in his career for something like this. But, he is a money whore, and if the check bounced the right way I can't see how he wouldn't want a cut of it. And as far as Marketing goes there is NOTHING they would want more than to see him leaning against that amp making the statement that it sounds like the Holy Grail.

...I just hope someone has the gratitude to track down the guy that did all the research and give him some serious props and at least a few of the initial run!
 
Re: Tim Caswell JMP

Joe you dont like the illusions tone at all? I think if he had kept the stolen 39 head and tried to use it on tunes of the illusions it would not have worked. I love his tone on you could be mine, dont damn me, coma, dead horse, bad apples, etc...its a good tone. its just much darker sounding.
 
Re: Tim Caswell JMP

I doubt slash would ever come on board if such an amp were to come out. Lynch would since he's never seen an endorsement he hasnt liked. Slash is such a marshall guy that it would be weird to see him use anything else. I have read about slash's rig and I'd love to know if he uses compression on his live rhythm tone. His live tone on the toyko discs is my favorite tone of his. Its just perfect. Slash always says something along the lines of I just plug in and play but appetite had some nice reverb on some of his lines and if you look at pics of his rack gear its pretty much not what i think of as plug in and play.
anyways the amp on ebay is up to $1225
 
Re: Tim Caswell JMP

I doubt slash would ever come on board if such an amp were to come out. Lynch would since he's never seen an endorsement he hasnt liked. Slash is such a marshall guy that it would be weird to see him use anything else. I have read about slash's rig and I'd love to know if he uses compression on his live rhythm tone. His live tone on the toyko discs is my favorite tone of his. Its just perfect. Slash always says something along the lines of I just plug in and play but appetite had some nice reverb on some of his lines and if you look at pics of his rack gear its pretty much not what i think of as plug in and play.
anyways the amp on ebay is up to $1225

Meh...yes and no.

Granted this is all speculation...but Slash has been on board as a gear whore for a long while. I mean, seriously...First Act and Volkswagen...that ends the argument right there.

The issue would msotly be money. He's associated with Marshall and has been so the offer would have to meet and exceed what he's being paid by them.

Of course, there's always the possibility that he could continue with Marshall and load the guts of the #39 clone into a head and be done with it...that of course would be if the were truly interested in the amp.

I think Slash is very much a plug-in-and-play sort of guy. He has a ton of gear but he has never been short a roadie to tweak it. It's not like he has ever been in a situation where he has had to tech for himself. I'm nto saying he doesn't know how to plug in, but I think an integral part of his chain is someone that listens to what he wants and knows the gear.
 
Re: Tim Caswell JMP

to me a plug in and play kind of guy is ace frehley but im splitting hairs. i've always thought of slash's tone as perfect none the less.
 
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