J
Jessie's ghost
Guest
Re: To Thrash And Abuse or Conserve and Protect?
Once again you assume that everyone else plays the same kind of gigs you play. In this case, I'm going out on a limb and wagering that it might not be true. How's Astroglide going to line up his after-show hookup if he stands there presenting like he's Eric Clapton or some other aging rocker who might need a hip replacement at any moment?
Let's see, who are you playing for? Typical local bar with a bunch of people who've had a lot to drink, most of which will be pretty hazy about what occured that night? Does the room have the usual bad acoustics? It's one thing to beat up a guitar when you're playing for thousands of people under ideal conditions. For an everyday (low paying) bar gig, hmmm...
Do your chops match your slick stage moves? Some guys put emphasis on the strange things. Did the crowd come to watch a gymnist, or hear some good music, or maybe both? To me, the top priority, and by far the most entertaining, is a tight band with great musicians, good arrangements, and an innovative song list. Pros. If you already have all that, then hop around like a jumping bean. If you don't, you may want to rethink things.
Some of us manage to gig on the local level without injuries to our guitars. It can be done. Where I 'cut loose' is on solos; I leave the fancy moves to "Dancing with the Stars.'
Once again you assume that everyone else plays the same kind of gigs you play. In this case, I'm going out on a limb and wagering that it might not be true. How's Astroglide going to line up his after-show hookup if he stands there presenting like he's Eric Clapton or some other aging rocker who might need a hip replacement at any moment?