You realize there are a lot of variables inside your question?
Would an equalizer help brighten the sound?yes, absolutely there is a difference in tone between 24" and 24.75"
Yes, but that won't get you 100% of the way there. Kinda like even if you have the same pickups on a Strat and a Les Paul, even if you EQ them to hell and back, they won't sound the same. You can get close, though.Would an equalizer help brighten the sound?
Would an equalizer help brighten the sound?
If you go for higher gauge strings, though, won't that accentuate the tonal difference in some ways? In my experience, thicker strings sound rounder, fatter, and thuddier.Everyone here is talking about the differences when using the same gauge strings.
Once you compensate with slightly larger gauges then the differences in all these things like tone and playability are much less.
And don't get sucked-into the LP vs Strat thing. Those are such different guitars that even using 10's on the LP and 9's on the Strat will still produce a much different tone, but it will be less about scale and more about construction and materials.
If you use the same gauge on both scales then yes, the shorter scale will in-general be easier to play and have a darker tone, but that's by choice because you can go up in gauge to largely compensate for the difference, or go down in gauge on the longer scale.
That, and I feel that with different scale lenghts, the placement and relative "windows" the pickups "sense" the strings vibrating shift as well. I think that has a HUGE impact on the amplified tone of the guitar too.I just think people tend to automatically assume scale length is the main factor accounting for tone and feel difference, when they are actually mostly just hearing and feeling the difference in string tensions.
That, and I feel that with different scale lenghts, the placement and relative "windows" the pickups "sense" the strings vibrating shift as well. I think that has a HUGE impact on the amplified tone of the guitar too.
I just think people tend to automatically assume scale length is the main factor accounting for tone and feel difference, when they are actually mostly just hearing and feeling the difference in string tensions.
That is why I can't understand those classic slanted pickup guitars having the slant essentially going the "wrong" direction. I'd want the poles closer to the bridge under the big strings, and closer to the neck under the plain strings. Never could figure out why they slanted opposite.