tube voicings

anewdefguitarist

New member
ok, i was wondering what the GENERAL differences are in different tubes...now i know, a JJ will sound different than an Electro Harmonix and a Mesa 6L6 will sound different than a Groove 6L6...i know. im talking overall. in generalities, like "el-34's are generally brighter than 6L6's" or something like that...im kinda wondering because my mesa will except el-34's or 6L6's (stock 6l6's are what im currently running) and i like the sound, but would like to experiment, maybe find something with a little more aggression, or something to tighten it up a little. kinda like, different mags in different pickups. basically, which style of tube is GENERALLY best for which style of music, palm muting, leads, etc.... thanks in advance, hope it made sense.
 
Re: tube voicings

basically overall, whats the difference in sound between different tubes like, el34, 6L6, kt66, kt88, a 6L6CHP, a 6V6, a 6550, a 5881, a 5U4, an el-84, a 12AT-C, a 12AX7C, a 6CA7, a GCA7??? i know that 12ax/at/whatever are preamp tubes...is this where the distortion comes from? or does it come from el's, and 6l6's, etc etc?? ive googled, wikipedia'd, and yahoo it and i cant find ****...im confused. anybody got anything? why do people use different tubes? whats their individual sounds? is one better for leads? one better for rythm, one better for clean, one better for high gain? im not at all saying i dont think there are differences, i just wanna know what they are.
 
Re: tube voicings

I think you can get a feel for the different sounds of tubes by looking at the amps that use them. For example:

EL-84 : Vox amps, Fender Blues Jr.
EL-34 : Hiwatt and Marshall Amps
6L6 : Fender Twin Reverb, Mesa Boogie F50
6V6 : Some Tweed Fender amps

I think that by changing the design of the amp and the speakers though you can change the sound of the amp more than just swapping tubes. (I may be wrong on this however . . . )
 
Re: tube voicings

In the recto amps, EL-34 tubes have more midrange 'bark', and a little less bass/thump. I don't know which I prefer, I guess they are good for different things. 6L6 is definitely apart of the recto grind though. Luckily, the Road King has both available at the flick of a switch. ;) I should try to make a recording using a Jamman in the loop (same preamp sound), switching the power tubes. There is definitely an appreciable difference.
 
Re: tube voicings

I would steer you to using either the stock Mesa STR-440 6L6; or the Winged C/S.E.D. 6L6 which is my personal favorite in my Mark IIIs and my Mark IV. The JJ 6L6s work very well in HEADS, but they have a little mechanical noise that can make them not the best choice for a high-powered COMBO.

http://www.grailtone.com/forum/index.php AKA, The Boogie Board, is a great place to discuss all things Mesa. I would say that most people prefer the 6L6 to the EL34 in their Rectifiers, but not all. Again, I really like the SED EL34 for its great tone and reliability.

You can also experiment with preamp tubes. Your V1 preamp tube in your Mesa is most important and you really need a high quality 12AX7 in that first socket. After a lot of experimenting I chose a Groove Tubes 12AX7-M Mullard clone to use in the V1 of most of my Mesa amps. In most of my amps, you'll find a mix of various brands: GT, EH, JJ, Mesa--each one to its own place. Dark, bright, creamy, aggressive--you can do a lot to change the character of your amps with preamp tubes.

All it takes is money and desire--mostly money!!!!

Good luck!

Bill
 
Re: tube voicings

see you guys are already helping a lot, i didnt even know you could have multiple brands in the same setup. i thought they all had to be matched. ok, so preamp gives me the distortion? then do the 6l6's give me like, the body?
 
Re: tube voicings

Rushfan, I'm not sure that the Recto design allows for poweramp distortion like a Marshall does.
 
Re: tube voicings

ok, so preamp gives me the distortion? then do the 6l6's give me like, the body?

The preamp (pre-amplifier) tubes (12AX7's, etc) are what are being driven when you adjust your individual channel volume (gain) and the power (amplifier) tubes (6L6, EL34's, etc) are being driven by the master volume, providing power to the speakers. So if you are playing at low volumes, but with a lot of gain, you are mainly getting your distortion from the preamp tubes. As you start playing at higher volumes, the power tubes are contributing more to the overall sound and possibly distortion, if they are being driven hard (ie, you are playing VERY loud!.) Both stages contribute to your overall sound, and both sets of tubes are important.

You can get some interesting information about different tube types and a bit of history here http://www.audiotubes.com/ Just click on the different tube types in the top left hand corner of that first page to learn about the different types. This guy is mainly talking about NOS (New Old Stock) tubes, but you can apply the information to current production tubes. You can radically change the tone and performance of an amp by experimenting with different brands and types, and you are doing the right thing by educating yourself on the subject. Hope this helps.


Cheers................wahwah
 
Re: tube voicings

The power tubes still will affect ur sound even if the dont provide distortion like speakers do (generally arent heavily distorted) yet the power tubes will start to break up at good volumes even if it isn't noticeable (y tube amps always sound better loud). As said above 6L6's have more high treble and deep bass whereas EL-34's have more middle (just compare a fender twin to a marshall plexi) although other factors make this sound.
 
Re: tube voicings

so i play smaller bars and venues, typically bars that hold between 150-1100 people. i have a 50 watt single recto, i've noticed that the more i turn up the master the more girth i seem to get. and if i turn up the channel volume higher and keep the master down, i get more sizzle. does that sound pretty accurate? if so, in theory, to get the best possible girth and distortion, i should try and have a fair dose or as much of each as possible, correct?


any certain tube that will tighten up the bottom end, but still keep the "big" sound?
 
Re: tube voicings

ok, again, sorry if this is all stuff i should already know. but honestly, i have no one to ask that i trust. you guys have never let me down. ok, so, if you were to recomend me some good high quality tubes, what would they be? what are the advantages of different brands? aka, what do different brands like JJ, and Groove Tubes, and Mesa tubes even...what do they bring to the table?

tung-sol 12AX7's are the only ones rated at 5 stars on musicians friend...
"Jan 13, 2007 - I just replaced the stock tubes in my Mesa Boogie Rectverb. The sound overall is so much better and the tubes sing when pushed. I am also putting them in my Hot Rod Deluxe. Best preamp tubes on the market."

so how does all this stuff work. i can put different tubes in different slots? i need to find out for sure how many 12's i can even put in my amp...i think 4?? i KNOW i have 2 6L6's...but someone said put a good high end tube in slot one and that will vastly improve my sound. what are all the slots for? do they have different, uh, "assignments?" (for lack of a better term) does each slot do something different tone wise? im really sorry for all the questions guys....just been doing a lot of thinking about TONE recently...**** im thinkin about usin some 59's for metal/hard rock music lol!! tone is deffinately on my mind lately...
 
Last edited:
Re: tube voicings

ok, again, sorry if this is all stuff i should already know. but honestly, i have no one to ask that i trust. you guys have never let me down. ok, so, if you were to recomend me some good high quality tubes, what would they be? what are the advantages of different brands? aka, what do different brands like JJ, and Groove Tubes, and Mesa tubes even...what do they bring to the table?

so how does all this stuff work. i can put different tubes in different slots? i need to find out for sure how many 12's i can even put in my amp...i think 4?? i KNOW i have 2 6L6's...but someone said put a good high end tube in slot one and that will vastly improve my sound. what are all the slots for? do they have different, uh, "assignments?" (for lack of a better term) does each slot do something different tone wise?


You need to do your homework.

It doesn't sound like you have a very clear understanding of how your amp works. The very first thing you need to do is get yourself over to the Mesa Boogie web-site. Find the Owner's Manual for your amp, print it, keep it in a binder and read it until you have a better understanding of how your amp works. They probably have a tube layout chart in there that will tell you what the function of each of your tubes is. After you've read the manual, and you still have questions--give the techs at Mesa a call--they can help you find your sound.

You need to review some of the websites, like thetubestore.com, eurotubes.com and groovetubes.com --and others, to learn more about tubes and how they work. Read Randy Smith's White Papers posted on the Mesa site. Check out Myles Rose and Lord Valve. Then take a deep breath.

And then you have to figure out the hype, and who to trust. Me? I trust Randy Smith of Mesa Boogie. I have been using Mesa amps EXCLUSIVELY for the past 12 years. He knows how to design amps, and he knows tubes.

Yes, the different preamp sockets affect different parts of the circuit. Some affect the reverb, or the FX loop, some the LEAD Channel, some the RHYTHM, some both. One drives the power tubes (in a sense). Yes, changing manufacturers' tubes will affect the tone. I didn't like using all-JJ preamp tubes in my Mesa DC-3, as it made it too dark sounding. Some of the EH 12AX7s sounded a little harsh. Baby Bear said the GT12AX7-M was, "Just right!" Not surprisingly, this amp wound up with preamp tubes from several different companies.

Your Mesa amp does need POWER tubes that are a matched set. Read more about tube matching at thetubestore.com. Mesa amps are set with a fixed, non-adjustable bias, which makes buying new tubes a snap. Just tell your tube vendor that your tubes are for a Mesa--that the new tubes must meet Mesa specs--and the reputable vendors can sell you an appropriate set of tubes. You can them install the new tubes yourself, and you won't need to take it to a tech and have it biased for the new tubes. (Be sure to read what Randy Smith has to say about tube amp biasing.)

Finally, you amp sounds better when it's louder because--it's LOUDER. That is to say, out ears PREFER louder, at least up to a point. And beinging young, and male--you want that nice "V-shape" EQ curve with the cut midrange--mostly because that how your ears hear. True, as the amp gets louder it gets richer sounding, even on the clean settings--mostly due to small amounts of harmonic distortion that "fill out" the tone. But, a lot of it is just because that big 412 cab has started to push some air--and our ears like it! Google "Fletcher-Munson curves" for more information on how our ears hear bass frequencies at low volume.

Bill
 
Last edited:
Re: tube voicings

Just to provide some general information, and this is not specific to your Mesa amp.

Vintage type amps place emphasis on the power tubes, that in turn work in conjunction with the output transformer and the speakers. This is why vintage style amps can sound completely different at high volume and low volume. By different, I also mean the overall tightness and the attack, and not excusively the distortion or breakup properties.

Modern amps create the modern distortion tones in the preamp for the most part. With modern high gain amps, it is more desirable that the power amp reproduce the signal given from the preamp, without altering it too much. This is probably why cleaner tubes (6L6) are usually used in this type of an amp design. I would think that a 6L6 type tube would provide a heavier sounding low end (a cleaner speaker is also usually desirable in such a case). However, a EL34 might actually provide a "tighter" low end.

The EL34's "skinnier" low end may be reproduced through the OPT and the speakers quicker and more precisely, providing the preception of tighter, more focused, low end attack (on edit: particularly at higher volume levels).

Actually the better power tube family for tight and heavy low end attack, is niether the 6L6 nor the EL34 families. It is the 6550/KT88 family of tubes. This is why rockers that use a lot of tone shaping in the preamp and/or their effects, ofton like 6550 amps such as JCM800's with 6550's (gets real tight and solid at higher volumes) and the VHT Pitbull and so forth.....
 
Last edited:
Back
Top