Liko
Member
I have an Epi Les Paul Studio in Worn Brown, that after some attention paid to the setup, is becoming much more of a player. I like the smooth, airy feel of the satin-finish neck compared to the gloss you find on most LPs, and with the latest setup I was able to achieve a much lower action giving this thing a much more easygoing feel. I'm usually very good at setups, but I just hadn't been able to get the strings down to the deck before now, so either something just fell into place with this last setup, or I've tamed my picking hand compared to earlier days. My tri-burst Strat still feels like my favorite pair of blue jeans, and it's thin finish is starting to make it look like that too, but it needs a new set of strings and some similar love (and possibly some professional help with the frets), so the LP has risen dramatically in rank among my regular players. I've gone from wanting to sell it and try something else to it being a solid favorite, more of a "dress casual" outfit to the Strat's weekend look and feel.
However, the tone still leaves something to be desired. Right now they're the stock Epi buckers, with aftermarket black covers to complement the overall conservative looks of the axe, and the bridge in particular is very nasally to my ears. The neck's alright, nothing special, but if I'm looking to upgrade one pickup, why not both?
I play a lot of CCW, so my usual gain structure is ultra-clean, to the point of playing through a bass amp most days. So, I need a pickup set that sounds good even in these more "transparent" (some would say "sterile") conditions. However, it's also gotta crunch nicely through a pedal; I have the Hardwire Tube OD and Valve Distortion pedals on my board, and when the situation permits I'll click 'em on and jam. My Strat behaves nicely in these situations, going from spank and quack to scream. The stock Epi pickups have a reasonable crunch, but they don't clean up well, and I need to change that.
Currently, from the sound samples on this site, the Pearly Gates sounds like my neck pickup, with a nice airy treble sparkle and a present but not in-your-face midrange. I'm on the fence between the Jazz Model and Seth Lover in the bridge; both have a good balanced clean bridge tone in the demos, not too nasally, but they also dirty up nicely. The Dimebucker sounds better in full crunch (as it should), but its clean tone is a metric ton of everything I don't like about my stock bridge, so I'll live with rolling off the treble or tone a little to tame these hairier pickups.
The question is, are these nice, sparkly pickups going to sound too harsh in the high end when you replace the warmth and natural compression of a tube combo with the faithful transparency and headroom of a bass combo? Or, given that these are going into an all-mahogany axe, no maple cap, should I be aiming for bright anyway to supplement the natural warmth of the tonewood?
However, the tone still leaves something to be desired. Right now they're the stock Epi buckers, with aftermarket black covers to complement the overall conservative looks of the axe, and the bridge in particular is very nasally to my ears. The neck's alright, nothing special, but if I'm looking to upgrade one pickup, why not both?
I play a lot of CCW, so my usual gain structure is ultra-clean, to the point of playing through a bass amp most days. So, I need a pickup set that sounds good even in these more "transparent" (some would say "sterile") conditions. However, it's also gotta crunch nicely through a pedal; I have the Hardwire Tube OD and Valve Distortion pedals on my board, and when the situation permits I'll click 'em on and jam. My Strat behaves nicely in these situations, going from spank and quack to scream. The stock Epi pickups have a reasonable crunch, but they don't clean up well, and I need to change that.
Currently, from the sound samples on this site, the Pearly Gates sounds like my neck pickup, with a nice airy treble sparkle and a present but not in-your-face midrange. I'm on the fence between the Jazz Model and Seth Lover in the bridge; both have a good balanced clean bridge tone in the demos, not too nasally, but they also dirty up nicely. The Dimebucker sounds better in full crunch (as it should), but its clean tone is a metric ton of everything I don't like about my stock bridge, so I'll live with rolling off the treble or tone a little to tame these hairier pickups.
The question is, are these nice, sparkly pickups going to sound too harsh in the high end when you replace the warmth and natural compression of a tube combo with the faithful transparency and headroom of a bass combo? Or, given that these are going into an all-mahogany axe, no maple cap, should I be aiming for bright anyway to supplement the natural warmth of the tonewood?
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