inter said:Very Inspiring VHoholic,
I've got to ask you a few questions. How do you keep your chops up? Do you practice every day? How did you build up those chops? Do you do some sort of hand strength exercises or does that come from hours of practise? Do you find if you don't play for a while, you have to build up your hand strength?
Not to blow sunshine up your a#$%, but your playing shows exceptional hand strength and I'd luv to know how you get it.
Thanks inter. I just try and play for about a half hour to an hour a few times a week. Basically just doodling around with whatever i can think of, no strengthening excercises or anything. Years ago when i first started playing i remember trying to strengthen my hand by doing trills on the guitar until right before my hand started hurting but no further than that. I would place my hand on the low F chord postion and do an alternating trill type of thing with my pointer on the 1st fret, my middle finger on the second, ring finger..3rd and pinky..4th and just trill one at a time until i couldn't do it any more. You can do that anywhere on the neck really. Haven't done that in years though. With me it's weird, not all the time but sometimes when i don't play for a while and pick up the guitar i play better...lol.inter said:Very Inspiring VHoholic,
I've got to ask you a few questions. How do you keep your chops up? Do you practice every day? How did you build up those chops? Do you do some sort of hand strength exercises or does that come from hours of practise? Do you find if you don't play for a while, you have to build up your hand strength?
Not to blow sunshine up your a#$%, but your playing shows exceptional hand strength and I'd luv to know how you get it.
I just rest the right side of my palm on the bridge and sometimes keep my pinky touching the guitar to brace it as i pick. I don't always do that but sometimes it works. It also depends on what guitar i'm playing. As far as practicing goes all i really ever do is play whatever comes to mind. No scales or anything like that, just doodling. The one thing i always try to do is keep whatever i'm playing as tight as i can to make each note sound nice and clear. I would say repetition until you get it right and ALWAYS feel what your playing instead of putting all attention on technique. The listener will pick up on that immediately in my opinion.Mike M. said:How do you position your picking hand? Any practice tips you could share?
To be honest with you i've been using these pickups for so long that i almost forget what it's like to play with more output LOL. I just love the clarity and punch of them. It's true, you really can't hide anything but in the end they just sound so good!gnugear said:I know which pickup it is, so I'm not going to give it away!
Hey Vhoholic, I've got a general question for you. Since you use the '59 and this other pickup, do you ever feel like you wish they had more output? I mean part of the magic is that they have low output, yet at the same time it makes you work so damn hard LOL!
I'm really interested in the '59 ... there's something about the low end that I really like. I hear it in your clips and in Chubtone's clip comparing the Holmes, Voodoo, '59, and EVH. His "someone get me a Dr." clip sounded best with the '59 IMO.
Thanks Guitarist!Guitarist said:Pure and sexy. Love your style. Pure BAR ROCK baby!
Thanks man.y2stevo said:Sweet Playin''''''''''''''''''''''''''
Thanks. Glad you liked it!ArtieToo said:What can I say . . . even for an ole fart, this is just plain fun to listen to.![]()
Great stuff.
Thanks man. Sometimes it's hard to get to the computer inbetween shows on the tour but i do the best i can...:kidding:Gearjoneser said:Some of the intricacies in your licks are SO 'dead on Halen', it's almost scary that it's not actually him. Kudos.