Vintage vs. Reissue Vox AC30

Pink Unicorn Horsey

Megä Pöny Rÿdr
Tagging onto benbenben's thread...

Anyone out there have experience with both vintage and reissue AC30s? I know there's a preference for the vintages across the board with regard to reliability. How about tone? For those with experience, how well do you feel the reissues replicate the vintage AC30 tone?

- Keith
 
Re: Vintage vs. Reissue Vox AC30

bump
im interested too.
I've seen them go for ridiculous prices, but if they are overheating all the time, why would i spend so much on it?
 
Re: Vintage vs. Reissue Vox AC30

I have yet to play any RI amp or guitar that compares to the originals. You just can't replicate age and the tone 30+ years has added to those wonderful old amps and guitars!
 
Re: Vintage vs. Reissue Vox AC30

I have played old $ hole AC-30's, old 6 hole AC-30's, Korg era AC30's, AC-30CC's, as well as one of the limited edition handwired mid 90's AC-30's...let me first go on record by saying that ALL of them are a pain in the ass, they are ALL prone to break down and NONE of them are cheap to fix! However they can all sound good, to be honest the BEST AC-30 I ever heard was an old non Top Boost 4 hole in fawn tolex I played years ago but nect to that in tone was one of the Korg Reissues, it was the Handwired Limited Edition and it had Celestion Blues in it...to me that is the key to a killer sounding Vox amp! I have even tried the new CC's with Blues and really liked the tone, I mean it's not as good as an old English made AC-30 from the 60's but it's DAMN GOOD!
 
Re: Vintage vs. Reissue Vox AC30

I played a Korg once in a rehearsal and fell in love
wasnt mine, darn

I hear Matchless is a good way to go for reliability and Vox tone
 
Re: Vintage vs. Reissue Vox AC30

those handwired reissues were pretty damn nice with the blues and the way i would go if it were me. tony bruno designed that amp so it might be worth looking at his underground 30, he says he kept a couple tricks just for himself even though mitch kolbe is a good friend of his
 
Re: Vintage vs. Reissue Vox AC30

those handwired reissues were pretty damn nice with the blues and the way i would go if it were me. tony bruno designed that amp so it might be worth looking at his underground 30, he says he kept a couple tricks just for himself even though mitch kolbe is a good friend of his

Any tonal difference between the hand-wired ones and the PCBs?
 
Re: Vintage vs. Reissue Vox AC30

yes but it could be tubes or who knows what else.

the reason i suggest the hw version is that repairs are much easier. few voxes are known for their reliability and working on a pc board is a royal pain in the backside
 
Re: Vintage vs. Reissue Vox AC30

I've also played on every version of the AC-30, and most boutique copies of it.
A big factor is the speakers and tubes. I think a big cause of failure amongst Vox amps is the fact that the EL-84's are slammed with voltage, and when a tube fails, something else burns up. For that reason, Vox owners should really be dilligent when it comes to replacing tubes. JJ's hold up really well, and that's why Matchless ships with them.

The old ones that have been well maintained and the Limited Handwired are the 2 that represent the true Vox sound the best, especially with Alnico Blue speakers. That's the signature Vox jangle, we associate with the early 60's. With Celestions, they take on a grindier sound, which many people prefer when they're cranking them and trying to get more gain.

The 90's/Korg reissues were very nice amps as well, and often shipped with the choice of Greenbacks or Celestion Alnico Blues, which I think they still do.
The Breakup on these circuit board versions was OK, but not quite as smooth as the older ones.....just a tiny bit rattier. They were also brighter.
Still, they were pretty decent amps, and a lot of 90's alt/rock bands loved them. I think the tubes they shipped with were the main source of their problems......cheap Sovtek or EI's that had too many problems with microphonics. JJ's usually cleared up any problems.

As for the modern Chinese CC's, they approached them differently, and the quality is hit or miss, probably based on component quality. I've heard about problems from some, and zero problems from others. I'd probably baby it if I owned it, and I'm not sure I'd gig without a backup....but that goes for any EL-84 amp. I was pleasantly surprised with the versatility and the tone....the best thing was the addition of reverb and more gain. I have to admit, I really like the new ones. It's easier to dial in the exact gain level you want, whereas the traditional AC-30's were non master volume.
 
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