I have a nano powered by a 1 Spot, and that's the only reason I would pick up a Volto. Other than that it's not reqlly worth the extra $60 over the 1 Spot.
I have a nano powered by a 1 Spot, and that's the only reason I would pick up a Volto. Other than that it's not reqlly worth the extra $60 over the 1 Spot.
I hate that, and it's almost everywhere. I always have a 15 foot surge protector in my gig bag for exactly that purpose. It's come in handy many many times.
It seems cool so far. I don't need super fancy reverb for the pop gigs I use this board for. That said, the Toneprint editor makes this thing more versatile than I'd expected. Right now I have a Hall toneprint loaded that goes from low mix/short decay at one end, up to 100% wet/long decay at the other. I'll probably throw a big "Supa Trem" type knob on it so I can easily turn it with my foot.
You can assign 3 variables to the knob sweep, so I chose mix/decay/killdry (off until 3 o'clock on the knob, then turns on). I haven't had a chance to tweak any more since, but the editor is the key to this thing.