The neck pickup is the biggest culprit for "Stratitis" though, because the string is easier to pull the farther you get from the end of the string (bridge or nut). You have to set it as low as you can and still have it sound good/loud enough.
But you can get away with it a little higher if it's an A2 or A3 because they're not as strong as A5.
The bridge is the one you can get away with setting the highest.
So would you say that those Vito Bratta/George Lynch 80s super strats with hum in the bridge, nothing in the middle and a single coil in the neck will have noticebly better sustain than usual HSS super strats?It's also a factor (not the ONLY factor) in why Teles sustain and ring a little better than Strats: no middle pickup pulling on the strings in a Tele.
So would you say that those Vito Bratta/George Lynch 80s super strats with hum in the bridge, nothing in the middle and a single coil in the neck will have noticebly better sustain than usual HSS super strats?
i prefer the neck and bridge high with the middle low
Me neither, Artie. I'm sitting here with my Strat (Texas Specials) and as I go from positions 1-5, I don't notice a volume drop. I have the neck and middle set at 8/64" on the bass side and 6/64" on the treble side. The bridge pickup is cranked up a little closer with the treble side still a little closer to the strings.
Well, do you have an Invader in the bridge? you know, that could be the difference.