Boogie Bill
New member
Re: Vox Night Train review
I think you hit the nail on the head. If you really listen to a lot of the great players: Clapton, Page, Kosoff, Townsend, Malcolm and Angus, Leslie West, SRV, et. al.--they're not buzzy--their tone SINGS.
I hate these guys that have all of these great patches on their rack or floorboard units. They usually have WAY too much gain, AND WAAAY too much delay. They get into a live situation, and they suck. Everything sounds muddy--no definition, no presence, no cut. Might sound great in the bedroom or even in the studio, but it won't cut it live.
Good review of the Night Train. Looks real interesting.
Bill
Yup. This.
Usually so many young players just go for gain and more gain, to the point where it kinda sucks away the best tone and dynamics. After so many years of playing, listening and doing mixing gigs, i discovered that the guys who got the biggest sounds, the sounds that punch the audience in the stomach and nail people to the back wall, were playing a lot cleaner that might be expected. The high-gain players' sounds just do not seem to project out into the room, where the slightly less gain-y sounds project better and sound BIGGER....and of course, more dynamic.
Congratulations on the amp, and thanks for a great review. Keep on enjoying those great sounds !!!!
I think you hit the nail on the head. If you really listen to a lot of the great players: Clapton, Page, Kosoff, Townsend, Malcolm and Angus, Leslie West, SRV, et. al.--they're not buzzy--their tone SINGS.
I hate these guys that have all of these great patches on their rack or floorboard units. They usually have WAY too much gain, AND WAAAY too much delay. They get into a live situation, and they suck. Everything sounds muddy--no definition, no presence, no cut. Might sound great in the bedroom or even in the studio, but it won't cut it live.
Good review of the Night Train. Looks real interesting.
Bill