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Re: Well-executed "jack of all trades" tube amp?
I have not tried a SpiderValve so I can't say how they sound. My experience has been that cheap modeling gear is still noticeably off and you need to get to the Helix/Fractal/Kemper level before it's indistinguishable, but I haven't tried newer cheap stuff in several years.
The HX Stomp is a great option if you don't need tons of effects all in the same preset (it has all the same amp, cab and effects models as the bigger units, but fewer can be used simultaneously). I already had a Helix LT when it came out, otherwise I'd have gotten that, because I just run an amp and cab model 90% of the time, so the full setup is overkill for me. The amp tones are amazing and recording with it is so convenient (I save a copy of the preset named after the song I used it on, so if I go back to work on the song again I can use exactly the same tone).
I recently took my Helix to a rehearsal space where I'd been using their DSL40CR and plugged into the effects loop return. I really like the amp but I'm now 100% sold on this setup. Being able to assign multiple things to one footswitch is a game changer. Being able to swap out amps (even in the same preset, changing mid song with no lag) is huge. Want a Fender clean tone with reverb and your leads to sound like a tubescreamer into a JCM800 with a bit of delay? You can do that easily and you can switch between them with only one footswitch.
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Interesting take. I do like the versatility inherent in my DAW plugins, but even though I probably couldn't accurately tell you which is which in a blind test, there's just always been something NKR about the modeling amps. I will give the SpiderValve a good look if/when I can find one.
Which is another problem; even though I'm in a major metro, it's a big sprawl, not really known for its live music scene, and GC isn't what it used to be in terms of selection, new or used. So, finding a decent selection of these lower-cost options to try out has been tricky of late, even though you'd think these kinds of options would be best sellers among home studio recordists and patio-gig players.
I have not tried a SpiderValve so I can't say how they sound. My experience has been that cheap modeling gear is still noticeably off and you need to get to the Helix/Fractal/Kemper level before it's indistinguishable, but I haven't tried newer cheap stuff in several years.
The HX Stomp is a great option if you don't need tons of effects all in the same preset (it has all the same amp, cab and effects models as the bigger units, but fewer can be used simultaneously). I already had a Helix LT when it came out, otherwise I'd have gotten that, because I just run an amp and cab model 90% of the time, so the full setup is overkill for me. The amp tones are amazing and recording with it is so convenient (I save a copy of the preset named after the song I used it on, so if I go back to work on the song again I can use exactly the same tone).
I recently took my Helix to a rehearsal space where I'd been using their DSL40CR and plugged into the effects loop return. I really like the amp but I'm now 100% sold on this setup. Being able to assign multiple things to one footswitch is a game changer. Being able to swap out amps (even in the same preset, changing mid song with no lag) is huge. Want a Fender clean tone with reverb and your leads to sound like a tubescreamer into a JCM800 with a bit of delay? You can do that easily and you can switch between them with only one footswitch.
Sent from my SM-G970W using Tapatalk