Matt42
New member
Re: What do you guys think the best current production "Mid Priced" amps are these da
Re: What do you guys think the best current production "Mid Priced" amps are these da
I'm in a similar boat, looking for a 20-40 watt amp to gig small clubs with, and the Express +'s were on my list, until I tried a 5:50 + and hated it. The cleans were very glassy and sharp, it didn't sound at all like I'd imagined having played a 5:25 (regular) and really liking it. How are the cleans on the 5:25 +? Do you have trouble dialing them in?
At the moment I'm torn between the Super Sonic 22 and the Lonestar Special (used on both, of course).
Re: What do you guys think the best current production "Mid Priced" amps are these da
Not long ago, I shopped for a smallish 20-40W combo (channel-switching preferred) for nearly a year. From the beginning, the Express 5:25 (which I tried in the actual Boogie shop – bless them for having a huge chunk of their product line in stock) was clearly the right amp for what I wanted. But I didn't want to spend that much, so I kept looking.
Some things were "good," like Egnaters, Blackstars, and reissue Fenders. I even liked the Haze 40's tone. But, short of the RI Fenders, very few of the tones from these amps were "great" to me. And those that did have great sounds would pretty much just get that one great sound. Plus they had shared E.Q. 99 percent of the time, and all seemed to have quality/durablity that would be compromised by a good, healthy fart being cut in the room. (The Fenders seemed the most solid, but even they felt kind of chintzy to me.)
Finally, I got fed up. The long search period had actually increased my budget, so I custom ordered the Mesa. I ordered the old 5:25, but unknown to me, it happened to be right before the Plus was announced. I never heard about the Plus until I opened the box and saw one in there! Good on them for giving me the Plus; it's upgrades are quite significant, yet it gives up nothing that the "Non-Plus" model had.
My only regret is that I did not wait a few weeks longer before buying. If I had, I would have seen the Plus line come out, and I would have got the 5:50 Plus instead, just for its 25W class A mode. I'd also have ended up with 6L6's, which probably would have been better, as my EL84's keep shorting.
Anyhow, I'm with you on the 5:25. Not only incredible sounding, but versatile as all get out. At $1,300 new, and under $750 used), it's the amp that showed me just how bad the sub-$1,000 amp field is (in general).
I'm in a similar boat, looking for a 20-40 watt amp to gig small clubs with, and the Express +'s were on my list, until I tried a 5:50 + and hated it. The cleans were very glassy and sharp, it didn't sound at all like I'd imagined having played a 5:25 (regular) and really liking it. How are the cleans on the 5:25 +? Do you have trouble dialing them in?
At the moment I'm torn between the Super Sonic 22 and the Lonestar Special (used on both, of course).