aleclee
Major General GAS
My Two Rock is still in my house but it'll be gone tomorrow.
Would you believe that it's been replaced by . . . something . . . digital?
I have a buddy who recently scored an Axe-Fx Ultra and didn't bond with it. I'd been contemplating one of these for a while because I haven't had much opportunity to unleash my array of half stacks. My band's been mostly on hiatus due to work/family commitments and my main time to play is during Mini-Me's nap time. As a result, my Hot Rod Deluxe has gotten most of the action in the last year or so on those occasions where I actually plug into something
For those who think it's just another modeler, I'd say you're half right. It's a modeler but lumping it in with the L6 stuff (that I've found quite useful) would be an oversimplification. It's a modeler like a POD the way a Bogner XTC is a tube amp like a Blues Junior. It has a dizzying array of amp/cab/mic/FX models and you can also add your own cab models. The breadth of the available timbres is matched by their depth. We're talking studio-quality FX and utterly convincing amp/cab models -- as opposed to the L6 models that I'd describe as "good enough". For the obsessive tweaker the Axe-Fx is a dream, allowing you to drill down into modeling minutia like transformer parameters.
If my playing and financial situations were different, I'd either have stood pat with the Two Rock or kept both the Fractal and the Two Rock. Fact is, they're not so my lust for the Axe-Fx made the Emerald expendable. The good thing is that it's probably broken a bit of a logjam and I'll probably be selling off a number of stompboxes in the coming months that just aren't needed anymore.
In the short term, I'll be playing it through a set of studio monitors. Not quite sure what I'll do for playing it out--my first shot will be running a power amp into a stereo 2x12 though my GK ML250 might see spot duty in a grab-n-go setup. Just when I had the whole tube amp thing figured out (not to mention a healthy tube stash) I go in a different direction. Such is life. Making music isn't a destination but a journey and this just highlights that fact.
I have a buddy who recently scored an Axe-Fx Ultra and didn't bond with it. I'd been contemplating one of these for a while because I haven't had much opportunity to unleash my array of half stacks. My band's been mostly on hiatus due to work/family commitments and my main time to play is during Mini-Me's nap time. As a result, my Hot Rod Deluxe has gotten most of the action in the last year or so on those occasions where I actually plug into something
For those who think it's just another modeler, I'd say you're half right. It's a modeler but lumping it in with the L6 stuff (that I've found quite useful) would be an oversimplification. It's a modeler like a POD the way a Bogner XTC is a tube amp like a Blues Junior. It has a dizzying array of amp/cab/mic/FX models and you can also add your own cab models. The breadth of the available timbres is matched by their depth. We're talking studio-quality FX and utterly convincing amp/cab models -- as opposed to the L6 models that I'd describe as "good enough". For the obsessive tweaker the Axe-Fx is a dream, allowing you to drill down into modeling minutia like transformer parameters.
If my playing and financial situations were different, I'd either have stood pat with the Two Rock or kept both the Fractal and the Two Rock. Fact is, they're not so my lust for the Axe-Fx made the Emerald expendable. The good thing is that it's probably broken a bit of a logjam and I'll probably be selling off a number of stompboxes in the coming months that just aren't needed anymore.
In the short term, I'll be playing it through a set of studio monitors. Not quite sure what I'll do for playing it out--my first shot will be running a power amp into a stereo 2x12 though my GK ML250 might see spot duty in a grab-n-go setup. Just when I had the whole tube amp thing figured out (not to mention a healthy tube stash) I go in a different direction. Such is life. Making music isn't a destination but a journey and this just highlights that fact.