The_Sentry
New member
I'd love to get some feedback on this if it's a worthy topic:
Based on your pickup experiences, what is harder to find satisfaction with in terms of a pickup? The bridge or the neck pickup?
I don't know what it is...but in a lot of cases if the neck pickup's relative output is matched to the bridge...I'm usually OK with it. I can tolerate a lot of different magnets, winds, or whatever in a neck pickup...and for the most part it will sound OK to me.
Bridge pickup? Totally different story. On those I'm a lot more discriminating. I don't know if it's because I play rock, or it's harder to dial in that right tone on a bridge...but whatever the reason, it seems like this is the one that usually puts me over the edge in terms of finding satisfaction with a brand...any brand.
Am I the only one on this? From a design perspective, or a purchasing perspective, what is usually tougher to choose? The bridge or the neck pickup? And have you shied away from sets because of this?
Based on your pickup experiences, what is harder to find satisfaction with in terms of a pickup? The bridge or the neck pickup?
I don't know what it is...but in a lot of cases if the neck pickup's relative output is matched to the bridge...I'm usually OK with it. I can tolerate a lot of different magnets, winds, or whatever in a neck pickup...and for the most part it will sound OK to me.
Bridge pickup? Totally different story. On those I'm a lot more discriminating. I don't know if it's because I play rock, or it's harder to dial in that right tone on a bridge...but whatever the reason, it seems like this is the one that usually puts me over the edge in terms of finding satisfaction with a brand...any brand.
Am I the only one on this? From a design perspective, or a purchasing perspective, what is usually tougher to choose? The bridge or the neck pickup? And have you shied away from sets because of this?