I was thinking all three would be independent, but gain staging would be out of hand.
How about a 500 watt Rockman stack, aka the Rockman Guitar Monitor? I mentioned it before but a video says a lot more that a picture:
How about a 500 watt Rockman stack, aka the Rockman Guitar Monitor? I mentioned it before but a video says a lot more that a picture:
[video=youtube;110OKs32wUA]https://www.youtube.c si
Yeah that is incredible- But as others have said, this sound is so, so big that it actually caused problems for Shultz live- Barry G and Brad D were on the record that they had to sculpt their sounds to get out of the way of Schultz- kind of the opposite of Lynard Skynard's, let's find our best tones and blend them together by playing different parts approach.
Of course it worked great for Shultz (and note that he put a ton of energy into thinning a Les Paul for rhythm)-
But it's hard for me to put this in the top 20 because who can use this in a day to day environment other than at home or in a Boston tribute band?
With the Rockman headphone amps, I'd agree with you. They are kind of one trick ponies. The Rockmodules and the XPR gear are completely flexible and can have their sound shaped any way you need it.But it's hard for me to put this in the top 20 because who can use this in a day to day environment other than at home or in a Boston tribute band?
Would a Peavey Bandit be appropriate?
I think it deserves a spot
The Rockman sound was loved for a time, then profoundly ridiculed about 10 years later.
But it's hard for me to put this in the top 20 because who can use this in a day to day environment other than at home or in a Boston tribute band?
Completely agreed... Schultz really is a genius and this was so far ahead of the digital revolution that it is often forgotten... It's the holy grail of tone I was after at the time, but never achieved it... In retrospect, although I never achieved schultz or Brian May tone, I sure use a lot of their licks todayI'll add a little bit to my remarks. I put the Rockman stack forward as a technical tour de force of its time, particularly when paired with the XPRa. It might not have ruled the marketplace like other amp makers, but it certainly pushed the technology of the time to the limits.
LOVE the JMP-1 and wish i still had mine!! Recorded this with a JMP-1/9200 set up in 1994.Preamp wise there are a few racks that deserve honorable mention. The Marshall JMP-1 was pretty cool and can still punch above its weight. I wouldn't mind picking one up for my JC-120.
True, but if you consider the 90's (the 10 years later) featured no guitar solos ... (which has been profoundly ridiculed amongst more skilled and tone-savvy guitarist circles) :naughty:
True, but if you consider the 90's (the 10 years later) featured no guitar solos and one-finger barre chords/cowboy chords with buzzy-bee distortion in many songs... (which has been profoundly ridiculed amongst more skilled and tone-savvy guitarist circles) :naughty:
Steve Morse and EJ excluded of course