TwilightOdyssey
Darkness on the edge of Tone
I am putting together a new rehearsal/jamming pedal board and am looking to maximize the flexibility of what I have. I have a thought on what order I think will work, but sometimes changing things up yields some great results!
REQUIREMENTS:
1. 'clean' tone (edge of breakup) with chorus
2. overdriven tone (saturated for good crunch at Unity Gain with the clean tone)
3. crunch/lead tone with delay (next level of saturation for metally bits and solos)
AMP
My main amps are all single channel and take pedals well
No fx loops
All capable of achieving edge of breakup tone
PEDALS
1776 Multiplex echo (delay/echo; 3 modes: EP3, Echorech, Space Echo)
Bogner Harlow (compression, boost, transformer colouration)
Bogner Uberschall (overdrive/distortion
strymon DECO (deck 1= tape saturation/compression; deck 2= chorus/flange)
I also have a Road Rage Rapid Fire two-loop pedal
Any thoughts would be appreciated!
REQUIREMENTS:
1. 'clean' tone (edge of breakup) with chorus
2. overdriven tone (saturated for good crunch at Unity Gain with the clean tone)
3. crunch/lead tone with delay (next level of saturation for metally bits and solos)
AMP
My main amps are all single channel and take pedals well
No fx loops
All capable of achieving edge of breakup tone
PEDALS
1776 Multiplex echo (delay/echo; 3 modes: EP3, Echorech, Space Echo)
Bogner Harlow (compression, boost, transformer colouration)
Bogner Uberschall (overdrive/distortion
strymon DECO (deck 1= tape saturation/compression; deck 2= chorus/flange)
I also have a Road Rage Rapid Fire two-loop pedal
Any thoughts would be appreciated!