revolution
New member
Re: What pickups does Mick Mars of Motley Crue use?
Here's the LP with the SD bridge. '83 US Fest(of course).
Here's the LP with the SD bridge. '83 US Fest(of course).
Last edited:
ponch said:We may all be overlooking the fact that he 'records' with other guitars instead of the one he plays live with 'for show'.
JeffB said:Really? You consider him a legend? I find that very odd.
While he has a good ear for writing a catchy riff, I never thought he was much of a player (and one of the worst for musical plagiarism. Listen to God Bless the Children of the Beast and then Listen to Bijou Pleasurette by MSG/Belladonna by UFO. Damn near note for note Rip-off).
As for his tone..I saw the Crue open for Ozzy on the BATM tour. Micks tone was thin, shrill, oversaturated, and buzzy like he was running a distortion pedal direct into a board. He was horrendously sloppy playing wise and most of his lead work (including his horrible solo spotlight) was just a bunch of noise and whammy abuse combined with alot of delay.
When Jake came out the difference was night and day in tone. Not even close. Jakes tone was huge, thick and permeated your whole body while remaining warm and crystal clear (and cleaned up beautifully with his vol knob). Mick's was the proverbial icepick in the ear.
I think Mick owes his success to a solid band, not to any ability of his own (EDIT: not that I mean he's a horrible player, just unexceptional). Were he the guitar player for any number of not so popular bands, we'd have never heard of him.
Mike (Xssive), I'm surprised you feel that Soldanos add bottom end? The SLOs I've played are very thick in the mids, but I don't find them to have the bottom end of a good 2203 (JMP or 800).
I think he's very under-rated for his simplicity and riffs if nothing else.
he has a good ear for writing a catchy riff
he's a helluva rhythm player and comes up with tasty riffs
He def can write a good hook.
revolution said:Here's the LP with the SD bridge. '83 US Fest(of course).
i'm taking that on...seriously. my tone is MASSIVE and want it even fatter. i love to piss off bass players LOL.
i LOVE Mick's live tone. he's one of the few guys that makes Marshalls sound good to me...well, modded and mixed with soldanos to add to the missing low end hehe.
-Mike
Ok-why do we really care about this? It was cute for a dozen posts or two, but 4 pages. Really now, come on...
looks more Dimarzio creme![]()
i read that he uses Gibson T-buckers
That guy has to be a total idiot. First of all, a pickup doesn't "put out ohms", ohm is a term for defining electrical resistance. Second, if a pickup coil only measured 7,5 ohms, there must be something completely wrong. It's kiloohms, Mr. Mars, you idiot! Third, a hotter pickups won't push the speakers harder.
What a complete idiot.
:eek13:
(I guess this is why my father said that i should never listen to glam rock) :smack:
Did anyone notice they were replying to a thread that hasn't had a fresh response in over 7.5 years?
From an article on Woodytone:
Pickups
Apparently all of his stage guitars have the J.M. Rolph pickups. Mick says, “My guitar tech got in touch with him because my pickups were putting out 14k and he tolds us he winds them to 16k. So I got a couple of them, and they screamed! So then I got a couple dozen of them.”
I’ve never heard of J.M. Rolph, but here is his site: jmrolph.com. Mick says the Rolph pickups are “high-output [around 16k vs. 8-9k for PAF-style humbuckers], but not high distortion.” The higher output is “not for the purpose of increasing distortion. It’s part of my tone. It resonates better.”
But his favorite pickups are Gibson T-Tops. “I can’t get enough of them,” he says.