Re: Whats up with the new Marshall Lineup? Do they make good amps anymore?
I've never been a real tube snob or P to P snob, only because I realize that a great amp is more often the result of a well thought out design....not necessarily the components.
Fortunately, Marshall and Gibson have always catered to every corner of the music market, so you can't really bash them for making gear that's affordable to kids on a budget. One good thing about this forum is that we can discuss the pros and cons of every piece of gear out there.
I'd like to say that the Reissue Plexi 50 is the best thing they've made since 1973, but the truth is "best for what?" I guess I can only make a list of the best Marshalls I've plugged into, and who they're targeted at.
For highgain, versatility, and singing lead tones...
Jubilees, 30th Ann (blue), DSL 50 & 100, JCM 900 SLX. and JMP-1 preamp.
For 80's rock tones. The above + JCM 800's, 900's, and modded 800's and JMP's.
For "the classic Marshall sound" Reissue 1887X & SLP100, 67-73 Plexi/JMP's, JTM45, in general, any Marshall with 'all tolex' on it's head, gold piping, and NO cornercaps.
For "garage/punk ala Ramones" and gritty sounding bluesrock. 74-80 MKII Mastervolumes. 2 inputs, tolex head w/big white piping & cornercaps.
Also, JCM 900 Dual Reverbs.
That covers most tube amps. The Mode 4 was Marshalls answer to the scooped Nu Metal crowd, hoping to compete with Mesa Rec's. the AVT series was aimed at competing with Line 6. The rest is aimed at players on a budget, or bedroom amps.