What's the benefit to such a big neck heel that takes precedence over high fret accessability?
There is one USA PRS model that I would purchase today if I had the money to throw at it..... the SC 58. That is one sexy looking guitar and I bet it plays like a dream based on the specs. It has nothing to do with it's vintage inspired whatever either. I would also pick this model off the rack if Paul offered any model for free in Gearjoneser's scenario.
You can't play easily above the 12th fret on a single cutaway Gibson Les Paul either - but it sounds so good that a Les Paul is all some guys will play.
Maybe the big neck heel PRS uses gives the guitar a less flexable neck and a tone and sustain that sounds more like the stiffer/shorter neck of a single cutaway guitar.
I'm not talking about a shorter scale - I'm talking about the benefits tonewise of a neck that's shorter, stiffer and more solid.
Single cutaway Les Paul Juniors sound better (to me) than double cutaway Les Paul Juniors and I think it's for that reason. I hear a thicker, deeper tone with more lower mids if the neck isn't flapping in the breeze.
Personally, I think the single cutaway PRS sounds better than the double cutaway versions....for the same reason.
The heel on the 22 and 24 isn't that big on the 24 and CE 24 it gives you more access than a 24 fret Strat or a Jackson Dinky. It is there to make the neck sound bigger and also because it adds strength. The heel on the McCarty is to try and make it sound and feel more like a Les Paul. In fact the whole bigger heel thing comes from Ted as much as from Paul. Personally I don't mind the heel although I mostly play telecaster style guitars. The Heel on the PRS SC is smaller and offers more access than on a Les Paul. Although it does look as if the heel is getting an overhaul with the new neck design that he is launching.
The other way to add mass and stiffness to a neck which lets you get away with a small heel is to use a multi piece neck but guitar players always baulk at this so it's mostly used on basses.
Quoted for Truth . . .
It always cracks me up that some people actively hate certain brands so much. I mean, I can understand not liking the way that a guitar sounds, or feeling that they don't play well, even disliking the cost of a guitar . . . but to just hate on something for the name is ridiculous. I think that telecasters are ugly guitars . . . but do I hate them? Would I turn down a free one? Of course not . . . I'd play the crap out of it because it's a free guitar.
That's pretty extreme, don't you think? Eliminate the haters by giving them all a free guitar? Doesn't sound like a very solid business model. The fact that I'd take one if it were free doesn't say very much. I'd take just about any guitar if it were being given away.
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Me, too.
I'm willing to give it another try, though. I think a CE model with maple neck and trem might be more to my liking than the stoptail McMarthy.
That is SO not what he said.
Sometimes, I think the love/hate thing boils down to 'have owned/have not owned' factor. Most who have owned a PRS never hate them, whether they love them or not. The only hate comes from those who've never owned one, and may or may not have even picked one up.
I'll bet the opinions would change for everyone if someone handed them a free PRS that fit their requirements to a T. I'm pretty sure you wouldn't hear anything but glowing reviews then.
Quoted for Truth . . .
It always cracks me up that some people actively hate certain brands so much. I mean, I can understand not liking the way that a guitar sounds, or feeling that they don't play well, even disliking the cost of a guitar . . . but to just hate on something for the name is ridiculous. I think that telecasters are ugly guitars . . . but do I hate them? Would I turn down a free one? Of course not . . . I'd play the crap out of it because it's a free guitar.
I've always loved that Carlos Santana tone from the early albums with "Santana" (the band) when he played an SG. It was almost as if the notes would just naturally sing off the fretboard, effortlessly.-Santana uses them. He has great tone.
You should try a Les Paul Axcess, it might change your opinions about the dusty frets on a Les Paul.You can't play easily above the 12th fret on a single cutaway Gibson Les Paul either ...
For those who know me, this may seem odd but I find the new ones overpriced. They might be in the same ballpark as a comparable Gibson but that kind of reinforces in my mind that their pricing is off.my PRS story : lusted over them for 20 years but from far afar as i could not justify the $$
Your interpretation is very different from mine. I believe GJ's hypothetical was not "buy off the haters with a free guitar" but rather to exemplify "The haters would rave about how nice they were if they weren't so caught up in how much a PRS cost".It was what he said; I should have quoted the original GJ with it for clarity.