Boogie Bill
New member
Re: Which pickups have been used by the most diverse range of recording artists?
Definitely stock strat singles.
Bill
Definitely stock strat singles.
Bill
But we can't. The production tolerances were so much looser back then. The local tech of 30 years in my town was just telling me about a neck pickup he found in a '62 LP that had 18% coil mismatch and an A6, where the bridge had 4% coil mismatch and an A3.
With modern pickups, you're exactly a right, all pickups under a single name will sound darn near identical, but earlier on pickup winding machines didn't have an automatic shut off, and some companies (like Gibson) just bought whatever magnet was cheapest.
You either define production tolerance as part of it or not. Pick one.
And PAF's do have more likeness than not........DCR is NOT tone or output as you should know already.
I refuse to argue with you any further...
But we can't. The production tolerances were so much looser back then. The local tech of 30 years in my town was just telling me about a neck pickup he found in a '62 LP that had 18% coil mismatch and an A6, where the bridge had 4% coil mismatch and an A3.
Interesting. When I use my '62 LP, the neck pickup sounds kind of jazzy and the bridge pickup has considerably more bite. You know, the tonal characteristics most people associate with PAFs.
most guitarists shy away from batteries in their axes.
I think single coils (the generic term, not one specific type) has been used on more recordings than any other type of pickup, from the early 50's up to today, and literally from almost every sub-genre of music.... except maybe death metal, but probably even there.
If we talk humbuckers specifically, the JB is the best selling humbucker of all time. However, it's sound may be too specific to cut into ALL genre's.
With some reluctance... Yeah, I think single coils can do better at more styles than people give them credit for. Sometimes I play my single coil guitars and feel like I'm getting a tone that would nearly work for metal. Then I plug in my Jackson with the same settings and think, "Oh... Well that might be somewhat better. I guess." Then I turn up the gain with the single coils, and the argument begins anew...
I think fewer humbuckers excel with clean tones (though some do.) Even then, I don't feel the humbucker honking/bluesy cleans work with nearly so many styles as a Fender clean tone. With the amount of MIM Fenders sold to people wanting to emulate Clapton/Hendrix/Frusciante/Iron Maiden/Dick Dale etc. and the amount of satisfied buyers who never mod their guitars, I'm going to say MIM ceramics.
With the amount of MIM Fenders sold to people wanting to emulate Clapton/Hendrix/Frusciante/Iron Maiden/Dick Dale etc. and the amount of satisfied buyers who never mod their guitars, I'm going to say MIM ceramics.
Humbuckers can do everything from B.B. King to heavy metal but they’ll never convince me theyre a Strat or Tele...ever.
Single coils are far more versatile than humbuckers.
I don't know... I have an HH Strat that with a bit of trickery in the wiring can go from Tele bridge to Strat neck, as well as a spot on impersonation of position 2 on a Strat. It's completely passive too, all it takes is a capacitor and a bit of phasing, a few resistors, and hybrid pickups sure help as well.
Prove it.
I’ll go first.
Eric Johnson playing a little diddy does not prove anything. Toss Eric a Les Paul and with some fiddling of the knobs on his amp and a shift in playing location, he could make it sound like an underwound Strat.
The guitar itself makes a much smaller part of the sound than us guitarists like to admit. Choose a guitar based on how it makes you feel, choose your amp based on how it sounds. Even a Bullet Strat can breathe fire through a JCM800.
I'll give you extra brownie points if you can explain why you keep trying to insist my opinion is wrong. We've had two tangent arguments in the same thread. Do you really think me saying I think humbuckers are more versatile pickup than a single coil is an affront against you personally?