Bjeans, are you looking for early breakup or are you looking for speakers that breakup later ?
Something with early breakup usually goes along with more distortion and a later breakup usually goes along with a cleaner tone to a slightly overdriven type of tone.
Are you thinking more Fender or more Marshall ? (Pretty difficult to get into Dual Rec territory with a Classic 50)
Definatly later breakup. I love that SRV texas Flood blues tone. I would say I am more partial towards Fender amps, I play a strat, but I think I might get some Celestions for that british Hendrix type tone. I am going to have to invest in some type of head or something. What are some good Amp heads for blues players with strats?
I think you are getting some good advise on either the G12H30 or Greenback. I would add the Emi Legend GB128. It is very much Greenback like but has the capability to handle 50 watts.
You can hear it here, at the end of this list:
http://www.eminence.com/soundclips.asp
You may want to purchase the head first, as you will get better results that way. For a reasonable head of 50 watts or under I would likely look at an old Bandmaster. A Bandmaster with a good 2x12 cab with Greenback-like speakers would be pretty sweet.
Has anyone here ever tried the Weber 12A125A or 12A150 or 12A150T before. I think they might be what I am looking for. If my amp has 50 watts of power what if I had 2 25w speakers. Would that give me more speaker breakup than if I used 2 50w speakers?
Celestions are a great choice...in a 2x12 setting I think Vintage 30's or G12H30's are "better" than greenbacks for most setting, if you want the more trad "American" tone I think that the new Jensens are alright at best...I much prefer Webers to the new Jensens but both could get you where you want to be...for a Jensen I would look into maybe C12N's (ceramic) or P12N's (alnico) in the Weber line 12F125's...for a COOl tone try and mix one alnico and one ceramic...like one 12A125 (or P12N if you go Jensen) and one 12F125 or (C12N if you go Jensen)...mixing is a great way to get some killer tone!
Also, Ted Weber offers some cool hybrid speakers...american style baskets, magnets and vopice coils with britt cones...that might be a good idea for you as well.
I think the 12A125A's might be what I am looking for. How long does it usually take a speaker to "break in." I should note that I do want a really fat warm sound and not so much the brittle highs, but I do want it to have clarity. As far as good heads go, how close is a bandmaster head to a super reverb or twin as far as the insides go? THanks
A bandmaster is pretty different from a twin, and a good bit different than a super. A bandmaster reverb would be closer to a super than a twin though.
As far as brittle highs go, you can get those with either Alnico OR Ceramic mag based speakers in the wrong setup. You also have to realize that a big chunk of blackface amps came with ceramic speakers.
Luke
Celestions are a great choice...in a 2x12 setting I think Vintage 30's or G12H30's are "better" than greenbacks for most setting, if you want the more trad "American" tone I think that the new Jensens are alright at best...I much prefer Webers to the new Jensens but both could get you where you want to be...for a Jensen I would look into maybe C12N's (ceramic) or P12N's (alnico) in the Weber line 12F125's...for a COOl tone try and mix one alnico and one ceramic...like one 12A125 (or P12N if you go Jensen) and one 12F125 or (C12N if you go Jensen)...mixing is a great way to get some killer tone!
Also, Ted Weber offers some cool hybrid speakers...american style baskets, magnets and vopice coils with britt cones...that might be a good idea for you as well.
Could you name a few popular fender blackface amps that had ceramic mags? Do you know what magnet Blue Marvel speakers use? (whats in my peavey.) Thanks.
Twins, Showmans, and Deluxes come to mind.....all had twelves. Princetons, Vibroluxes, and Supers both had alnico speakers. I got to thinking about it, and I think it really boils down to two things.
10 or 12, and Jensen or other.
Blue Marvels are ceramic. You can tell an alnico because the back of the speaker has a large assembly on back. It might or might not be covered with something that looks like a bell.
Luke
I guess the only way to find out whats for me is trial and error. But that can get expensive if I dont like what I buy. Even with a 14 day return policy or something, I dont think thats enough time to really discover all the things a particular speaker is capable of. Im just jonesin for that killer blues tone.
bjeans79 said:Alright, so say I am to get some celestions. If i got a 1 vintage 30 and 1 g12h or greenback, wouldnt one of those overpower the other, and should I just get 2 of each (I know its more money but will the tone from 212 instead of 1 each be better) or just mix 1 of each?
In the Jensen neck of the woods, I was thinking of making a 212 cab with 1 alnico and 1 ceramic, maybe a p12n or q with a c12 n or q. Do you know if Ted Webers copys of Jensens are better than Jensens?
For blues, Will I get more natural breakup if I use 50w of speakers w/ 50w of amp or 100w of speakers with 50w of amp? Thanks.
joelap said:Not to hijack, but how can you tell a speaker's efficiency? Someone before said that a greenback would be overpowered by the G12H30... but the sensitivity on Celestions site says 98dB for the GB and 100dB for the H30... Just curious because I'm looking into speakers and wanted 2 greenbacks and 2 classic lead 80s, but I want to make sure the greenbacks wont be overpowered.