Why are active electronics more popular with bassists than guitarists?

Re: Why are active electronics more popular with bassists than guitarists?

The headroom argument is also nonsense.

Passive pickups have no head and can't clip. Doesn't make any sense.

I know what you mean, check out that [citation needed] and the fact that the word "headroom" has quotes around it. This is skeptical.
 
Re: Why are active electronics more popular with bassists than guitarists?

Active electronics were originally a way of matching a low impedance pickup/transducer device (built for DI recording) to an amplifier designed to accept regular medium-to-high impedance pickup signals. I suspect that the idea was borrowed from studio mixing console electronics. It would come as no surprise if the culprit turned out to be one Lester William Polfuss. He certainly championed low impedance guitar pickups in his own work. On the first low impedance LP guitars, the buffering/matching electronics came in a separate box and required special cables. On the later Personal, Recording and Triumph models, the output value is selectable via a switch on the control panel.
 
Re: Why are active electronics more popular with bassists than guitarists?

Great post ! ive wondered the same. actives seem common witn alot of basses. my traben has actives..
 
Re: Why are active electronics more popular with bassists than guitarists?

I just like the way active basses fit into a dense mix effortlessly. Less processing sounds better to me in most cases. Moreover, I do like the easy "power steering" feel on a bass, while preferring "direct drive" kind of feel on a guitar.
 
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Re: Why are active electronics more popular with bassists than guitarists?

Active electronics were originally a way of matching a low impedance pickup/transducer device (built for DI recording) to an amplifier designed to accept regular medium-to-high impedance pickup signals. I suspect that the idea was borrowed from studio mixing console electronics. It would come as no surprise if the culprit turned out to be one Lester William Polfuss. He certainly championed low impedance guitar pickups in his own work. On the first low impedance LP guitars, the buffering/matching electronics came in a separate box and required special cables. On the later Personal, Recording and Triumph models, the output value is selectable via a switch on the control panel.
All of which is quite true... but the Recording/Triumph models are low-impedance without active power. No phantom power, no on-board battery.
That's why Lester, the man from Waukesha, remains such a wizard. :bigthumb:
 
Re: Why are active electronics more popular with bassists than guitarists?

You ever try and rewire one of those things?! They're a raging PITA, but they sure are fun to play around with when you're done.
 
Re: Why are active electronics more popular with bassists than guitarists?

i think bassists may want a more refined tone and guitarists want a rawer sound...depending on the style of music of course.
 
Re: Why are active electronics more popular with bassists than guitarists?

I suspect that bass guitarists can see the advantage of performing live on one instrument and tweaking its sound with active EQ rather than carrying a van load of gear.

It is also true to say that a bassist is expected to "fit in" with a band sound whereas guitarists are doing everything in their power to stand out - both within the band and when compared to other guitarists.
I agree, and the post below are also correct
 
Re: Why are active electronics more popular with bassists than guitarists?

As a guitarist and engineer (not a bass player), active electronics give a more finished tone and therefore sound fine through most rigs and DI'ed into the PA and I totally understand that for live use. But when I listen to recorded tones I like (usually in more vintage styles I guess) they are usually passive bass tones with a bit of extra niceness added via valves and/or compression and I really am not a fan of modern bass sounds (prefer jazzes, precisions, rickenbackers and semi-hollow basses). For guitars outside of metal and a few kinds of sounds I don't really like active pickups but I prefer guitars to have a quite distinct sound (as opposed to the more balanced even/flat sound of actives). How do bass players compare active pickups to passive with a preamp because in my mind these would sound quite different.
 
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