I'm going to go with observational error.
There are a lot of medium heat pickups in that list.If you are speaking on your part then you would be correct. I think it's obvious that a lot of hot pickups have sprung up on the market lately. Obviously a substantial part of it is to accommodate 7 & 8 string guitars, but the fact that most 7 & 8 string guitars tend to have high output pickups clearly shows the trend. There are many interesting things about this trend since digital modelers are so popular and that there are also many, many high gain tube amps on the market now. I can understand hitting a vintage amp with high output pickups but it seems unnecessary if you are using solid state devices like profiling amps and modelers. High gain amps are already compressed and it seems unnecessary to compress the tone any more especially if you are using a boost.
SEYMOUR DUNCAN HUMBUCKERS
6 string - Sentient
6 string - Nazgul
6 string - Pegasus
Jason Becker - Perpetual Burn Humbucker
7 string - Sentient
8 string - Sentient
7 string - Nazgul
8 string - Nazgul
7 string - Pegasus
8 string - Pegasus
8 string - Duncan Distortion
7 string - Duncan Distortion
Black Winter
8 string - Invader
7 string - Invader
Mick Thomson Blackouts EMTY
Synyster Gates Invader
Blackouts 8-string
Gus G. FIRE Blackouts System
P-Rails
Full Shred
Dimebucker
Custom Five
JB Model
Duncan Custom
Duncan Distortion
Invader
Custom Custom
Alternative 8
Original Parallel Axis
Distortion Parallel Axis
Blues Saraceno Parallel Axis Model
Parallel Axis Single Coil Stack
Livewire Classic II Humbucker
Livewire Metal Humbucker
Dave Mustaine LiveWires
Blackouts
Blackouts Metal
DIMARZIO HUMBUCKERS
Titan
Transition
X2n
Super Distortion
Super 2
Super 3
Tone Zone
Steve's Special
Steve Morse
Illuminator
Evolution
Evo 2
D Sonic
Activator
Activator X
Crunch Lab
Dominion
Breed
BAREKNUCKLE HUMBUCKERS
VH II humbucker
Black Dog humbucker
Emerald humbucker
Abraxas humbucker
Black Hawk humbucker
Rebel Yell humbucker
Cold Sweat humbucker
Aftermath humbucker
Crawler humbucker
Nailbomb humbucker
Painkiller humbucker
Juggernaut humbucker
Holydiver humbucker
Miracle Man humbucker
Warpig humbucker
If you are speaking on your part then you would be correct.
I think it's obvious that a lot of hot pickups have sprung up on the market lately. Obviously a substantial part of it is to accommodate 7 & 8 string guitars, but the fact that most 7 & 8 string guitars tend to have high output pickups clearly shows the trend.
There are many interesting things about this trend since digital modelers are so popular and that there are also many, many high gain tube amps on the market now. I can understand hitting a vintage amp with high output pickups but it seems unnecessary if you are using solid state devices like profiling amps and modelers. High gain amps are already compressed and it seems unnecessary to compress the tone any more especially if you are using a boost.
SEYMOUR DUNCAN HUMBUCKERS
6 string - Sentient
6 string - Nazgul
6 string - Pegasus
...
Holydiver humbucker
Miracle Man humbucker
Warpig humbucker
I play very clean as often as dirty . . . and use high output pickups to do this. My favourite guitar has a Dimarzio EVO neck and Tone Zone bridge . . . the EVO neck works well for jazzy sounds when you roll the volume back. Split, it does great Hendrixy single coil sounds. With both pickups split it does a passable imitation of the neck/mid in-between strat sounds, and with the TZ split it does a reasonable telecaster type sound. With gain, the Tone Zone is the nicest bridge humbucker I've played.
You just don't have the same options when using low output 'buckers. It's something I find myself missing when using my '59/Seth Lover equipped Dot.
I know that hot pickups push the amp into overdrive and makes playing fast more effortless because they are powerful enough to even give some punch to light picking, but what is the main reason that the trend seems to be going toward hotter pickups when amps are ever increasing in gain?
That is not how I see it. The high gain pickups I like create a very compact form of signal that is more easily controlled afterwards, and you didn't want the treble in the first place.
It is easy to get high enough gain out of light enough play. But how to you create that extra punch that sets you apart from all the other guys using the same rig?
FWFW, maybe I'm not metal enough but I prefer brighter pickups and a bit extra processing. Not always successful mind you![]()