blueman335
Mojo's Minions
Re: Why do you buy new instead of used?
But what are you really evaluating at a music store? Which wood happens to sound best with the stock PU's? Which guitar was set up & intonated best? How much did the store amp influence the sound, and your decision? There's posts here from some of the knowledgeable members that say the acoustic sound and resonance has little relationship to a guitar's amplified sound (my experience bears this out).
I think some very good guitars get passed over at music stores, because the PU's don't match the wood very well, the intonation is off, the action's terrible, the PU's are too low, the strings are rusty, neck needs a minor truss rod adjustment, etc. This is all easy stuff to do, and no, you shouldn't have to do it, but you could miss one of the best guitars in the store. Some of these rejects may end up sounding better than any of the others with a good set up & maybe a PU or magnet swap. Personally, I have no idea what a guitar will sound like, or play like, until I do some basic work to it. Maybe a certain PU will just shine in that guitar, but you don't know that in the store. If you want a guitar that needs no work what-so-ever, fine, the music store A/B trials are fine. But I never buy a guitar thinking that it's already perfect. Most can be improved on (just look at how many Gibson, PRS, & Fender owners here swap PU's).
When I wanted to buy my first "LP" I went to several shops and after settling on the Michael Kelly Patriot Limited I had the guy bring down ALL the Limited he had and then I played them all back to back until I were sure which of them all I liked the best.
That took me more than an hour (actually close to an hour and a half).
That's something I could never do used.
But what are you really evaluating at a music store? Which wood happens to sound best with the stock PU's? Which guitar was set up & intonated best? How much did the store amp influence the sound, and your decision? There's posts here from some of the knowledgeable members that say the acoustic sound and resonance has little relationship to a guitar's amplified sound (my experience bears this out).
I think some very good guitars get passed over at music stores, because the PU's don't match the wood very well, the intonation is off, the action's terrible, the PU's are too low, the strings are rusty, neck needs a minor truss rod adjustment, etc. This is all easy stuff to do, and no, you shouldn't have to do it, but you could miss one of the best guitars in the store. Some of these rejects may end up sounding better than any of the others with a good set up & maybe a PU or magnet swap. Personally, I have no idea what a guitar will sound like, or play like, until I do some basic work to it. Maybe a certain PU will just shine in that guitar, but you don't know that in the store. If you want a guitar that needs no work what-so-ever, fine, the music store A/B trials are fine. But I never buy a guitar thinking that it's already perfect. Most can be improved on (just look at how many Gibson, PRS, & Fender owners here swap PU's).