Re: Why I'm buying Dimarzios this time
uh oh, I opened pandoras box, but then I told poorman I'd stick to pups- But so many cool tangents to chase... and life is so short.. so Poorman, please, please forgive me...
Zhangliqun said:
I'm having trouble understanding that part, maybe because I don't understand the term "power user".
Sorry, Z, in our book, powerusers are technology users that push the envelope- They take the tools that are avaiable and find 50 new ways to use them and they tend to get a lot of work done- For example, I'd put Artie in that camp for wiring-
But you can imagine that they are usually ahead of the curve on education, patience, and ability to work around the bugs.
TheArchitect
Ah, you might appreciate Emerson's "build a better mouse trap and the world..." quote. That works well for for boutique communities and explains why there are just a few Joe Barden powered, Zion strat freaks out there (I'm #1
The bottom line is that all markets are different and they evolve, but think about the size of the original electric market and especialy Fender's approach- At first it was pure boutique, a few 'power users' in S CA simply wanted more volumn- No one imagined a revolution, it looked like evolution at the time.
But let's jump to Gibson in the 50s and 60s- by this point it's clear that there is entirely new uses for electics and gibson is a big company that understands marketing- Of course data mining doesn't exist at the time
At that point no one had defined buyer types (or at least I haven't heard of this technique way back then) but this is effectively what they did when they introduced the V, explorer and firebird. They tried to understand the factors that this new, young, and different buyer was looking for and build to those factors.
The LP and tele.. just the survivors from the boutique stage..they just happened to be the correct mixture of features... but what about the first, the riceknbacher frying pan? It certainly didn't live.
Long story short, Gibson has long since moved towords comiditization, they do plenty of risk/benefit, they understand their buyer types, and the odds of a "boutique" discovery certainly go down- It's just the way that markets go, ie goodbye handbuilt 1909 oldsmobile ...hello to mass production box car.
Don't get mad at me, I just work here
J Moose - No I've certainly used PT many times over the years and never bought into either side of the religious wars- I expect you've never heard of MicroTechnologyUnlimited- One of the first pro end AD manufacturers and one of the first DAW suppliers...but kind of a case in point, they couldn't make the change to market driven digital audio, and once again, markets change.
But you're kidding me on pups and lifecycles aren't you? If I find a lost shipment of 1 million 1960's moserite or 1980s gibson pups, do you think that I can get $60 per? I don't think so. Instrument evolution tends to be long and smooth curves, but you dont see a lot of baritone mandolins out there anymore.
In 58 humbuckers were cutting edge- Those that could afford the cost and the risk bought them- They grew into maturity rather quickly and turned out to have a great long life cycle. Seth lover was a smart engineer that understood audience needs.
P90's? Just about 10 year life cycle on their first pass
Three coils? Think they have come and gone- Low impediance? Les Paul sure missed the first curve altogether didn't he? But maybe EMGs are the start of a new long cycle?
And in 2105 theres a very good chance that a psedo/cyber/stompbreaking digital zachtar player will hold up a PAF to one of his freinds and say, can you believe that this ancient technology really used to be the first step in the sound chain?
Peace and goodnight!