Re: Your favorite guitar cable?
Seriously?
I've tried a test with some friends where we plugged in some George L's, some mogami cables, some planet waves, some monster cables, and some cheapo bargain basement cables. We each took turns wearing a blind fold and having someone else plug in the cable before we started playing. Other than the cheapo cable (which you could occasionally hear some static on because it hadn't been soldered properly) all of the cables sounded identical. None of us could hear anything different between them.
Have you ever done a double blind test with cables and been able to identify different brands? If so, I'm very impressed with your superhuman hearing skills.
In the past few years I've switched from George L's, to Core x2, to Evidence Audio Lyric HG. The differences are obvious, in fact, glaringly so. The glassy top end of George L's was a relief when it was gone after I changed to Core X. Similarly, the shift to Evidence was a relief when the low mid blur of the Core X was gone. It's not voodoo or psychoacoustics, they actually have measurably different frequency responses. When I changed to the Lyric HG a few months ago, our regular FOH engineer came up to me after soundcheck and asked what I had changed. He noted exactly the same differences that I heard from the Core X to the Evidence. Tighter, faster bottom end, clarity in the midrange, openness in the top. More note separation in overdriven chords, more detail in general. I'd be concerned if he
didn't hear the difference. He's been touring with us for three years, he's a full time professional sound engineer with his own production company.
There may not be too much difference amongst the generic brands, in fact some of them may be exactly the same cable. But there are companies who are specialising in research into cable design with very specific goals in mind, and achieving a variety of results.
I don't think it's a matter of 'superhuman hearing skills.' There's plenty of people getting paid to do sound who can't hear that elements of a PA system are out of phase, when other guys will walk in and say "Whoa, let's get this thing fixed!" Similarly, there are plenty of guitar players who can't summon up a truly great tone, even with access to professional grade equipment. There will always be varying degrees of auditory acuity amongst people, which is what makes some great mixing engineers, and others purveyors of great guitar tone. In many cases, it is the attention to, and perception of what may seem to some to be minor details, that compound into major improvements in tone.
David Gilmour is an excellent example of a guitar player who understands the cumulative effect of attention to sonic minutiae. When he changed to using Evidence cable on the advice of his tech, he not only replaced every cable in his rig, including speaker cable, he had a lot of the
internal wiring of his amps changed to Evidence as well! Who's going to tell him he only
imagined there was a difference?
Cheers...................................... wahwah