alteredbeast
New member
i've googled it, but wanna hear what SD heads say. 6L6 vs. 6V6. Only speaking of dirty sounds. GO!
thanks.
thanks.
i'm curious to hear what a 6L6 amp and a 6V6 amp on blast mode together would sound like?
6v6s would be flabby.
It's been my experience that the circuit itself is far more important than the tubes used. Plenty of 6L6 amps with a flabby bottom and compressed highs out there, just as there are 6V6ers with tight bottoms and clear highs.
All things being equal circuit-wise, IMO it comes down to headroom before clipping and the 6L6s just plain stay cleaner longer.
6v6's seem to be much more part of the overdrive texture itself at band volumes, so they really tend to lend themselves much more to the old skool concept of "power tube breakup". Stick a fuzz face into a 6v6 amp and the sound will be a combination of the fuzz trannies cracking up and the power tubes of the amp. Stick a fuzz face into a 6L6 amp and the power tubes will be cool as cucumbers allowing all the massive bottom end from the fuzz thru. Crank a 6v6 amp so its loud enough in a band with a rock drummer and the amp will be really humming. Put a 6l6 amp next to the same drummer and youll still have plenty of headroom.
They are both way cool but in different ways.
Dunno about the V but my MKIV can take 6v6's and ive tried it before and its really pretty lackluster compared to the 6L6's or 6L6+EL34 combo you can do with them. They do get flabby and loose in the bottom. Sure maybe you can design a circuit so they dont but in a Mark they do. If you were after softer clip blues tones they would be the way to go. If your buying a whole new amp buy it for the amps tones not for the tubes it has in it. If it meets your power requirements and has the tone you like do you really care what tubes are in it?
This is just my opinion, but I think the 6V6 sounds like a cross between a 6L6 and an EL84. It has a bit less mids than an EL84 but a bit more mids than a 6L6; slightly less congested or more open (however you want to describe it) than an EL84. It has a bit more girth than an EL84, but not as big and clear low to high as 6L6. More compressed than 6L6, slightly less compressed than EL84. More articulate and slightly less sweet than an EL84, but still some softness overall.
I have been warming up to the 6V6 tube a lot these days. When I first got a taste of them, it was in Budda and Fender amps. The Budda V20 (6V6), for instance, wasn't as appealing as the Superdrive 18 (same as V20 but with EL84's). The V20 wasn't as sweet, a bit sterile, and a bit less breakup than the Superdrive 18. It wasn't until I started playing with a Bogner Duende that I really liked a 6V6 amp. Then I got into the Badcat Judah and Greer Underdog, and those amps helped sell me on 6V6 amps. Then the Goldfinger 45 came out and that raised the bar for 6V6 amps in my opinion.
Mesa Boogie came out with a Mini Rectifier not too long ago which has an EL84 power section. My first thought was why they didn't go with 6V6's. I had a Mini Rect, and although it was a great amp, it was a bit congested and could have benefited from the girth and breakup of 6V6's. Since then, Bogner has come out with other 6V6 amps like the New Yorker which, in my opinion, puts a bit of shame on Fender.
Crank a 6v6 amp so its loud enough in a band with a rock drummer and the amp will be really humming.
EQ-wise, I hear most 6V6s as having a much warmer midrange tone whereas 6L6s tend to be more flat across the EQ spectrum.