1. Music theory (lulz..)
Of course when I first said on this board that I preferred not to use any theory cuz it just got in the way & ****ed up my flow when improvising I was piled on/ridiculed/bullied (well pathetic attempts were made)/threatened and what have you.. not that any of that got anyone anywhere and after the dust settled & all the frothing at the mouth (lol..why?) subsided there was nothing for the resident maestro's to do but stick their thumbs up their collective asses and sit on them nice & hard
Now you have a guitar improv god like current internet darling/man of the moment Matteo Mancuso saying the exact same thing...he tries "not to think at all when he plays" cuz it ****s up his flow. (Damn!! )
Of course when I mentioned that and posted up his video (where he pretty much echoed almost everything I said earlier) it was ignored cuz it's one thing to ignorantly pile up on some random dude on a forum like an idiot w/ your buddies and say he's "wrong" and then throw a bunch of retarded low IQ jibes and insults his way and another thing to do it to Mr. Mancuso and publicly show yourself up for the moron that you are
2. Brass FR tone blocks (prefer pot metal..sounds more natural to me)
3. Thicker strings ( I find 9's ideal. They're great for solo's and Tony Iommi's rhythm tone w/ 8's is a zillion times better/meaner/heavier than any modern downtuner's I've heard playing with ridiculous guages like 12-13'w or w/e rubbish it is that they use for their djentscapade's )
4.Fixed bridges (no I don't need the "more sustain" they supposedly offer. Plug into any half decent gainy amp and I'm good to go/sustain for days w/ any half decently set up guitar)
5. Les Paul's/PRS's ( ok cuz grand-pa looks & personal taste..but there's no way I'm ever paying $3000+ or w/e it is they cost for one)
And lots more to come..
Post your's if you have any
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