Behringer Centaur ???

Artie

Peaveyologist
Isn't this a "new" product, that won't be available 'til July of this year? How are there 20-something reviews?
 
Sometimes 'influencers' get the product before it is released. And sometimes the 'reviews' are just a list of the specs with vague language that shows the reviewer never set hands on the product (like most modern magazine reviews).
 
must've sold out, i ordered one late november and it came in mid january

Do you like it?

I just ordered one. Gotta try it out at this price.

Edit: My "sales engineer" at Sweetwater said they had a small initial batch come in when they were first announced.
 
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I feel there are just as good clones out there with smaller footprints and lower price tags. I do not see what magic Berringer is going to sprinkle on this 100th Klon clone. I am sure it will sound great but as I said, there is cheaper and smaller ones already on the market.
 
I feel there are just as good clones out there with smaller footprints and lower price tags. I do not see what magic Berringer is going to sprinkle on this 100th Klon clone. I am sure it will sound great but as I said, there is cheaper and smaller ones already on the market.

I mean... Beringer was never about adding magic to anything. It was about ripping off popular products for as cheaply as possible.

There's no need to add magic when you're literally able to, apparently, use the actual name and aesthetic. The goal is pure profit built off decades of unobtainium and tone quester legends
 
Had the original Klon been widely available at a reasonable price, there would be no reason to clone it and sell if for cheap. It was deliberately not mass produced, and had very limited availability. Add in several interviews about years-long waiting lists and goop all over the circuit. It was a matter of time before someone with the resources saw opportunity to offer it to more players at a reasonable price. I love the sound of a Klon (or a clone), but it simply doesn't deserve the status it has.
 
huh, they're just straight up calling it Centaur. did Bill die or maybe just doesn't care anymore? Or did he never trademark it? lol

I've heard that Behringer has some beast mode lawyers and going after them for clones is pretty much useless unless you're another behemoth like Boss or something. I double Bill has the wallet for that. I figure either he knows and doesn't care. Or he cares but can't do anything about it.
 
I love the sound of a Klon (or a clone), but it simply doesn't deserve the status it has.

Someone in the forum loaned me a genuine Klon a long time ago. I remember it being sweet. It fit my idea of "woman tone" best. It inspired me to build the GeneralGuitarGadgets clone over a decade ago. But I've never mounted it in a case. I need to get that done. I want to A/B it with the Behringer.
 
Also for how "magic" the diodes are in a Klon, the sound doesn't change much if you omit them
 
I built a BYOC Silver Pony. I like it a lot. It cost about $70 and time. Is it worth 100s or even 1000s? No way.
 
I paid a little over $50 for the GGG clone because, (like an idiot), I didn't order the case. I saved money, and it's been sitting on a shelf for a decade. :banghead:
 
I want to build one
not because I need or want one
but it looks like a fun project

but like Artie
it would probably sit unfinished for a decade or two
 
Had the original Klon been widely available at a reasonable price, there would be no reason to clone it and sell if for cheap. It was deliberately not mass produced, and had very limited availability. Add in several interviews about years-long waiting lists and goop all over the circuit. It was a matter of time before someone with the resources saw opportunity to offer it to more players at a reasonable price. I love the sound of a Klon (or a clone), but it simply doesn't deserve the status it has.

By this logic they wouldn't clone Boss pedals, but that's been their pedal bread and butter for decades.
 
By this logic they wouldn't clone Boss pedals, but that's been their pedal bread and butter for decades.

They actually tried to clone Boss' enclosures. There was an industry show in Germany in the early 2000's where they revealed their new pedal line and they were straight up Boss copies down to the enclosure, colors and font used. Needless to say, Roland Corp. shut that down real fast and they were forced to change them to what they are now.

I refuse to buy anything Behringer. The only peace of gear I tried of theirs was the GI DI box to use with my half-stack I had at the time. Great tool when you didn't have a mic available to mic up the cabinet. It stopped worked after a couple years. No warning, just stopped. To the trash it went. No more.
 
By this logic they wouldn't clone Boss pedals, but that's been their pedal bread and butter for decades.

They do the same with synths, although to be fair, the original synth companies are (mostly) long gone. For any pedal company, you have to make features people want at prices they want to pay. If any company cracks that code, they will do well. Actual circuits can't be trademarked, although trade dress can. I am not for copying someone's enclosure design (unless they pay for a license from the original company), but cheaper clones are fair game.
 
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