Re: Introducing the Jimi Hendrix Signature Strat Set
I am on unfamiliar ground regarding resonant peak so I am purely speculating here. I don't understand the cable length point, live would have longer cables, studio shorter cables. It seems that Roger Mayer would have taken into consideration pickups, pots, cable, and amp input resistance when setting up the Hendrix rig for live and studio performances. This is supported in my opinion by the largely consistent "Hendrix tone."
^^-- Correct , it is pure speculation...what Frank points out is something the others may not have caught or Payed attention to...The different experiences and Insights are Exactly Why there are so many great pickups and gear these days ( along with natural evolution in technology and aspiring.
So (bloomfieldriffs) if you're unfamiliar with resonant peaks of pickups, the basics are as follows: The pickup has an inherent resonant peak. With capacitance (in this case cable capacitance) the peak lowers in frequency. With resistance, the peak lowers in amplitude. Hendrix used cables and pedals that were high in both. Think about a coily cord...All that coil is extra cable length. Even if the cable "occupies" 10 feet of distance when it's coiled up, if you stretched it out, it would be much longer. So coily cords are higher in capacitance, as the signal travels a longer distance. There
are photos of Jimi in the studio with coily cords. So rather than assuming they chose a shorter cable for studio work, it's equally valid speculation that they used the coily cord for recording since that produced the sound they were used to getting live. That coily cord was making the single coils resonate at a frequency that is closer to humbuckers, when used through a shorter cable. Incidentally this is the same theory behind the Duncan Pickup Booster, which has 2 capacitor settings to lower the resonant frequency of the pickup. It's also the same as when some wireless units have a selector for simulating cable length.
The resistive loading of the Fuzz Face is where it gets interesting. That smashes the resonant peak, so that differences from one pickup to the next become less apparent. The pronounced resonant frequency is flattened out.
But all that speculation aside, when I said "recorded Jimi tone" I was referring to any/all archives, including live video and live recordings. Sorry if I didn't make that clear. My point still stands. These are probably really good sounding single coils. If someone wanted to use them to get a Hendrix-y tone, they need a coily cord, a Fuzz Face circuit, etc. not just because of the sounds they produce in isolation, but because both have a heavy influence over the sound of the pickups. So when you get a demo video like the one posted (which sounds very good by the way) I think it's important to note whether that's a demo with a long cord and a Fuzz Face, or whether it was made with a Kemper, or a Friedman, straight into the amp. I think it helps the listener know what they're hearing.