papersoul
New member
My band plays heavy modern rock...cleans....heavy rhythm, leads...the whole thing.
Problem is, more and more places have us use very low stage volume. In this situation, the master rarely gets much past 9:00. This was a big reason I sold my VHT 100UL, just overkill in all situations. Only time I got to crank it was when me and a friend cranked it in his basement.
I used a Line 6 Vetta for years for this reason.
Now I am going back to tubes and still haven't had my hughes & Kettner past 9:30 on the master volume. One good thing is my H&K Switchblade is partially solid state in the preamp so it works very well at low to moderate volumes.
This has been my big problem and issue with ever buying a high end, high gain amp.....could never use it! Maybe that is why Marshalls and Mesa Boogies are so popular. Heck, Peavey's are also great at low volume. Marshalls, Mesas, Fenders and Peaveys all sound good at lower volumes...basically club volumes...I know we compared my VHT to a DSL100 at a gig. The Marshall at 11:00 was the same volume as the VHT on 9:00! At that volume.....the VHT felt and sounded constipated. Sure it sounds awesome at noon, but it never sees that volume.
The Marshall feels and sounds better at this same volume because it just doesn't require to be pushed as hard to sound as good to me.
I am worried because I have a Rivera coming this week. If all else fails I'll be getting something more mainstream that maybe will not have to be cranked as loud.
I prefer to use amp gain and not pedal distortion so a Fender amp and a distortion pedal is not an option.
I can pretty much say I'll never own or use another 412. Right now I have two Ear Candy 212 cabs, a Buzz Bomb and Boa - GREAT cabs. Problem is...most 100 watt amps just sound better but I have to run em so low. There is a good thread about this at the Gear Page.
I have thought about Attenuators and Hotplates but I have heard they are not all they are cracked up to be and the Hotplate colors your tone. Now, there is a new product called the Ultimate Attenuator for $500 that is supposed to be great and solves a lot of these issues.
I just wish an amplifier builder would address this problem.
Thoughts guys?????
Problem is, more and more places have us use very low stage volume. In this situation, the master rarely gets much past 9:00. This was a big reason I sold my VHT 100UL, just overkill in all situations. Only time I got to crank it was when me and a friend cranked it in his basement.
I used a Line 6 Vetta for years for this reason.
Now I am going back to tubes and still haven't had my hughes & Kettner past 9:30 on the master volume. One good thing is my H&K Switchblade is partially solid state in the preamp so it works very well at low to moderate volumes.
This has been my big problem and issue with ever buying a high end, high gain amp.....could never use it! Maybe that is why Marshalls and Mesa Boogies are so popular. Heck, Peavey's are also great at low volume. Marshalls, Mesas, Fenders and Peaveys all sound good at lower volumes...basically club volumes...I know we compared my VHT to a DSL100 at a gig. The Marshall at 11:00 was the same volume as the VHT on 9:00! At that volume.....the VHT felt and sounded constipated. Sure it sounds awesome at noon, but it never sees that volume.
The Marshall feels and sounds better at this same volume because it just doesn't require to be pushed as hard to sound as good to me.
I am worried because I have a Rivera coming this week. If all else fails I'll be getting something more mainstream that maybe will not have to be cranked as loud.
I prefer to use amp gain and not pedal distortion so a Fender amp and a distortion pedal is not an option.
I can pretty much say I'll never own or use another 412. Right now I have two Ear Candy 212 cabs, a Buzz Bomb and Boa - GREAT cabs. Problem is...most 100 watt amps just sound better but I have to run em so low. There is a good thread about this at the Gear Page.
I have thought about Attenuators and Hotplates but I have heard they are not all they are cracked up to be and the Hotplate colors your tone. Now, there is a new product called the Ultimate Attenuator for $500 that is supposed to be great and solves a lot of these issues.
I just wish an amplifier builder would address this problem.
Thoughts guys?????
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